This early version of the Universal Studios Wolf Man borrows heavily from Paramount Studios' take on 'Dr. Jeckyl and Mr. Hyde,' which emphasized character and psychology over chills and horrors. Henry Hull gives a good performance as the eponymous monster, but does not inspire the same sympathy as a Frederick March or a Lon Chaney, Jr.
And unfortunately, there are some poorly handled comic-relief scenes involving a couple of drunken old ladies that really don't fit and detract from the mood. The scenes are so awkward that I suspect they were filmed later and added-in, to pad running time perhaps. These sequences seriously hurt this film, which is a shame.
Nonetheless, the story is interesting, the special effects and make-up are good, and some of the camera work is very well done. In particular, there is a neat shot as Hull is changing to the monster and simultaneously passing by a number of columns, and as he passes behind each successive column, the change progresses.
As is the case with virtually all classic horror films, this film has a psycho-sexual subtext. In this film, Henry Hull is playing a repressed and frustrated married man who has some deep behavioral compulsion and a secret relationship with with another man, and ultimately these things threaten to destroy his marriage. I won't give away anymore than that.
The werewolf make-up here is a little more subtle than that used by Lon Chaney in 1941, not necessarily better or worse, just different, and therefore, interesting. Overall this film is somewhat less entertaining than Chaney's Wolf Man, but still good and worthwhile for any fan of classic horror.
********************************** Additional Notes:
1) The Tibetan sequence was filmed at Vasquez Rocks, a famous place near LA, where many movies and TV shows were filmed, including episodes of the original Star Trek.
2) Soundtrack music from this film was re-used for one of the Buster Crabbe 'Flash Gordon' serials. The Flash Gordon serials also used music from The Invisible Man and Bride of Frankenstein.
And unfortunately, there are some poorly handled comic-relief scenes involving a couple of drunken old ladies that really don't fit and detract from the mood. The scenes are so awkward that I suspect they were filmed later and added-in, to pad running time perhaps. These sequences seriously hurt this film, which is a shame.
Nonetheless, the story is interesting, the special effects and make-up are good, and some of the camera work is very well done. In particular, there is a neat shot as Hull is changing to the monster and simultaneously passing by a number of columns, and as he passes behind each successive column, the change progresses.
As is the case with virtually all classic horror films, this film has a psycho-sexual subtext. In this film, Henry Hull is playing a repressed and frustrated married man who has some deep behavioral compulsion and a secret relationship with with another man, and ultimately these things threaten to destroy his marriage. I won't give away anymore than that.
The werewolf make-up here is a little more subtle than that used by Lon Chaney in 1941, not necessarily better or worse, just different, and therefore, interesting. Overall this film is somewhat less entertaining than Chaney's Wolf Man, but still good and worthwhile for any fan of classic horror.
********************************** Additional Notes:
1) The Tibetan sequence was filmed at Vasquez Rocks, a famous place near LA, where many movies and TV shows were filmed, including episodes of the original Star Trek.
2) Soundtrack music from this film was re-used for one of the Buster Crabbe 'Flash Gordon' serials. The Flash Gordon serials also used music from The Invisible Man and Bride of Frankenstein.