Talk to Her (2002)
9/10
Talk to Her spoke to me..
12 May 2010
Warning: Spoilers
The camaraderie of two men caring for women they love in comas is the center of Almodóvar's stunningly poignant film, Talk to Her. After recently viewing Almodóvar's stupendous film All about my Mother, I was anxious to see his subsequent work. While the films stories are unrelated the curtains that fall in the end of All about my Mother are present in the opening scene of Talk to Her; something audiences may not pay mind to if not watching in sequence. The film is filled with art; ballet is woven throughout and in the opening and ending scene. The Mise-en-scène is breathtaking, from intricate matador costumes, to the vivid colors, and a haunting somber score. Reminiscent of Almodóvar style the film ranges from a soap opera to immense tragedy. There is the highly melodramatic scene in which the women matador character fights with a talk show host, yet overall the film has a solemn premise. We see surrealism in a silent film within the film's peculiar sexual symbolism later ensuing in rape. The film captures Spain's time honored masculine Bullfight, yet there is a woman matador; stretching the mind's eye in regard to gender roles; aptly Almodóvar's grand craft. Almodóvar is also known for female cast compilations, yet the director changes course with the two men who share loneliness and pain provoked by passion. We see attributes in the male characters generally deemed feminine, namely: embroidery, crying, nurturing devoting. The bond that in the end unites the two men is that they share these abilities. There are numerous flashbacks which show how the men meet their now comatose women and the evolution of the relationships. The title of the film, Talk to Her reflects a literal meaning as well as broader premise of communication in relationships. "Nothing is simple" says the ballet instructor in the last line of the film, a comment on the complicated emotional paradigm of the story. Almodóvar's script is original and captivating, great acting with daring direction, the viewer is indubitably moved.
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