9/10
Women pay the price of war with their bodies.
8 June 2010
Warning: Spoilers
What a great film. It tells the story of the epon(anon)ymous protagonist, who both witnessed and endured the rape of Berlin in a very personal manner. And yet the film manages not to be too depressing until the very end, thanks in no small part to the assured acting skills of Nina Hoss. She conveys an unbreakable spirit and intelligence despite having so little dialogue in the film. And yes she did make me wonder what would I do in her shoes. Having watched it, I also feel strangely empowered about rape. Anonyma's story seems to validate that there is always more than one way to deal with a desperate situation.

I am a tad shocked that the story of these women was silenced for so long, but knowing what I do of the German people I suppose I shouldn't be surprised - stoicism plays a huge role in their public life. Yet apparently 10,000 women died 'just' from being raped during this period of German history. It's a sobering statistic, and one which makes a mockery of the assertion of the Russian commander who, early on in the film, implies that STIs are the greatest threat women face from his soldiers. Like rapists everywhere, they seem blissfully oblivious to the physical and psychological costs of their abuses, and are correctly portrayed in the film as phallically obsessed, emotionally retarded cowards. It's important to remember that the average age of their victims was 16. The majority of these girls and young women were children at the start of the war and had no say in the actions of their government which was, at any rate, a misogynistic dictatorship.

There has been a lot of discussion around what this film is saying about wartime rape. Were these women making concessions with the enemy, or were they enduring a relentless onslaught of sexual violence in the best way that they could? The film explores both possibilities. It also makes it clear that there is not one answer for every woman; in the film some of the victims lose their minds and end up killing themselves (or others); others find a sugar-daddy in the Russian army who gives them 'gifts' in exchange for protection (or at the very least, less violent sex).

Personally, I see this film as a story about the way in which women cope with unimaginable, unjustifiable violence from their other halves. The scene that sums up the madness of their situation is when the 'girls' get together for drinks and joke about being attacked by Russian soldiers. Beneath the smiles and laughter you can see, hear and even FEEL that something is falling apart inside them. That they are on the verge of hysterics. I sincerely hope that viewers didn't wrongly interpret this scene to mean that women think rape is funny because to me it was very obvious that it had the opposite meaning. A cunning and subtle move on the part of the director, who never underestimates his audience.

I sincerely feel for the women who remained in Berlin during this time, and so should every human being with a conscience. They didn't have choices: they were trapped in an occupied city with no way out and very few habitable buildings. The only supply of food and necessities came through the very men who were raping them. The Allied nations were well aware of the situation and did not intervene for nearly a year because they felt that raping Germans boosted morale (sorry to be so blunt but there was an actual quote to that effect from the American military). It's an all too familiar story, and one that has been played out in war torn countries right up until this day (Bosnia, the Congo, etc). So it boggles the mind that it's taken so long to make a film about the subject. I guess that just goes to show how male-dominated the film industry really is!!

In one scene Anonyma confronts a major and asks him to do something to stop the rape of Berlin women. He replies, "Who should I protect? My people or yours?" My answer to that question would have been, 'You should protect the women and the unarmed civilians whom you're fighting to free.' After all, the whole point of overthrowing Hitler was to gain freedom for everyone, or so the Allies said. In reality, the fall of Berlin became a pitched battle in the war of men versus women. Eine Frau in Berlin paints a grim picture of what the world might look like if the men were triumphant.
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