The Man Who Never Was (1956)
A straight up insider, realistic yet slick wide screen view of a particular British undercover mission in WWII. There, in one sentence, said it all. It's a very very good film, but depends on its ordinary flair to survive, which means its flair remains a bit ordinary. Some great acting, fast editing, and a final third with a surprise twist that keeps you really watching. And it's based on fact, which adds yet another tilt.
I watched it at first because I wanted to see Gloria Grahame, who can be simply astonishing in her slightly off beat roles. And she comes through to a degree here--she doesn't have a lot of screen time, and her role is partly to be saucy (as usual) but partly to be upset and crying, which she does really well. I love the drama built into World War II, in any form, though combat films are less interesting than civilian ones to me, and this was mostly on the home front, London after the Blitz but while some overhead bombing was still apparently going on (it is heard in one scene).
As a look at secret service work, or what might now be called a Special Ops mission, it's really quite believable. I suspect, being only a decade after the event happened, there was an attempt to make it honest, but beyond that, it feels honest. The people are determined and flawed and yet very smart and a little lucky. What seems like a turning point in the invasion of Europe by the Allies really seems to hinge on the intuition of one or two people, and the ad lib genius of one American girl on the spot (which I assume is fiction, but who knows?).
If you want to relax but never be bored, this is a terrific movie. Though technically an American production, it's thoroughly British, from the source book to the cast to the setting, of course, in London. The British director was originally a cinematographer, which might account for the solid (if unsensational) visual sense of it all. It's not a breakthrough, moving, or memorable film, surely, but as high quality entertainment with a toe in important history it excels.
A straight up insider, realistic yet slick wide screen view of a particular British undercover mission in WWII. There, in one sentence, said it all. It's a very very good film, but depends on its ordinary flair to survive, which means its flair remains a bit ordinary. Some great acting, fast editing, and a final third with a surprise twist that keeps you really watching. And it's based on fact, which adds yet another tilt.
I watched it at first because I wanted to see Gloria Grahame, who can be simply astonishing in her slightly off beat roles. And she comes through to a degree here--she doesn't have a lot of screen time, and her role is partly to be saucy (as usual) but partly to be upset and crying, which she does really well. I love the drama built into World War II, in any form, though combat films are less interesting than civilian ones to me, and this was mostly on the home front, London after the Blitz but while some overhead bombing was still apparently going on (it is heard in one scene).
As a look at secret service work, or what might now be called a Special Ops mission, it's really quite believable. I suspect, being only a decade after the event happened, there was an attempt to make it honest, but beyond that, it feels honest. The people are determined and flawed and yet very smart and a little lucky. What seems like a turning point in the invasion of Europe by the Allies really seems to hinge on the intuition of one or two people, and the ad lib genius of one American girl on the spot (which I assume is fiction, but who knows?).
If you want to relax but never be bored, this is a terrific movie. Though technically an American production, it's thoroughly British, from the source book to the cast to the setting, of course, in London. The British director was originally a cinematographer, which might account for the solid (if unsensational) visual sense of it all. It's not a breakthrough, moving, or memorable film, surely, but as high quality entertainment with a toe in important history it excels.