H. G. Wells has a sterling reputation based on a handful of brilliant works he composed between 1895 and the turn of the twentieth century. My favorite is THE INVISIBLE MAN, but others may prefer THE TIME MACHINE, THE ISLAND OF DOCTOR MOREAU, THE WAR OF THE WORLDS, THE FIRST MEN IN THE MOON, etc.
Some of Wells' views were noxious. He was a long-time socialist and a believer in eugenics and dominant races. Several of his later books were pedantic over his theories of racial hygiene, as well as his obsession for developing a single world government. All this makes some of his later work unreadable today.
Wells also composed numerous short stories. Though these are of variable quality, some are among the best creepy stories in the English language.
"The Infinite Worlds of H. G. Wells" is a three-part series culled from Wells' short stories. Wells himself is portrayed as an active participant in these weird events. Sometimes his role is vital to the stories, at other times his presence is tangential. The series has a framing device of Wells as an old man during World War Two, looking back over his long career and relating some of the strange things that occurred to a young journalist -- who herself might not be all she seems.
Wells is presented as an eager young man desperately trying to mature as a successful author, balancing it with his growing love for a woman he calls Jane (though that is not her real name). The unsavory fact that Wells left his first wife for Jane, and he had several affairs and illegitimate children outside of his marriage to her, is fortunately by-passed for this dramatization. Only Wells' sunny side shines through here.
Wells and Jane come off as a likable young couple whose worse strain comes from the bizarre situations they and their friends lurch into.
Though some of the stories contain tragedy, the stories presented here come off as largely comic, as if Wells were a nineteenth century Douglas Adams. The stories are neatly rewritten to accommodate the author, and to make sure most have charming or happy endings. Strangely, one story that originally had a happy ending is played here for tragedy. And just be careful, if you are inordinately fond of dogs.
The series is good for anyone who wants to add a little pleasant and ultimately unimportant weirdness to their lives.
If you want to look ahead an see how the stories are altered from the originals, the stories dramatized include "The New Accelerator", "The Queer Story of Brownlow's Newspaper", "The Crystal Egg", "Story of Davidson's Eyes", "The Truth About Pyecraft" (changed much for the better) and "The Stolen Bacillus."
Some of Wells' views were noxious. He was a long-time socialist and a believer in eugenics and dominant races. Several of his later books were pedantic over his theories of racial hygiene, as well as his obsession for developing a single world government. All this makes some of his later work unreadable today.
Wells also composed numerous short stories. Though these are of variable quality, some are among the best creepy stories in the English language.
"The Infinite Worlds of H. G. Wells" is a three-part series culled from Wells' short stories. Wells himself is portrayed as an active participant in these weird events. Sometimes his role is vital to the stories, at other times his presence is tangential. The series has a framing device of Wells as an old man during World War Two, looking back over his long career and relating some of the strange things that occurred to a young journalist -- who herself might not be all she seems.
Wells is presented as an eager young man desperately trying to mature as a successful author, balancing it with his growing love for a woman he calls Jane (though that is not her real name). The unsavory fact that Wells left his first wife for Jane, and he had several affairs and illegitimate children outside of his marriage to her, is fortunately by-passed for this dramatization. Only Wells' sunny side shines through here.
Wells and Jane come off as a likable young couple whose worse strain comes from the bizarre situations they and their friends lurch into.
Though some of the stories contain tragedy, the stories presented here come off as largely comic, as if Wells were a nineteenth century Douglas Adams. The stories are neatly rewritten to accommodate the author, and to make sure most have charming or happy endings. Strangely, one story that originally had a happy ending is played here for tragedy. And just be careful, if you are inordinately fond of dogs.
The series is good for anyone who wants to add a little pleasant and ultimately unimportant weirdness to their lives.
If you want to look ahead an see how the stories are altered from the originals, the stories dramatized include "The New Accelerator", "The Queer Story of Brownlow's Newspaper", "The Crystal Egg", "Story of Davidson's Eyes", "The Truth About Pyecraft" (changed much for the better) and "The Stolen Bacillus."