Kenji (Tadanobu Asano), a thirty-something year-old Japanese librarian living in Thailand, who doens't suffer from obsessive–compulsive disorder but he surely exaggerates about cleaning or packing. Anyway, has a complicated brother whose scams and irresponsible acts leave Kenji's house with two dead bodies in it, his brother's and the assassin's. For the record, there's a scene where we see Kenji spying on a girl in a uniform, Nid (Laila Boonyasak), who works on the bar where we previously watch Kinji's brother. Kenji's got to run. Having already tried to kill himself before, he heads to a bridge and while preparing to jump, as he looks back a running over takes place right behind him. Nid was the victim He immediately helps the injured young woman and ends up requesting shelter to the girl who'd been making company to Nid, her sister Noi (Sinitta Boonyasak). Nid didn't survive. The story is not confusing at all, told in this way. The problem is that this isn't told to you very clearly. And from this point, scenes come up where Nid and Noi alternate. Like the Asian cinema has been showing, the director Pen-Ek Ratanaruang explores both loneliness and love. Eventually, the notion of the love being explored diverges from the normal, now more related to family or friendship, but still, very inspiring and audacious. The biggest problem with this one, is that it gets incredibly boring at certain points, making it quite uncomfortable to make it until the end, 6/10
Review of Last Life in the Universe
