Any Led Zeppelin fans out there? Either way, I wanted to start by drawing attention to the confusing translation of this film's title into English. The French phrase "Il y a longtemps que..." is better translated as "It's been a long time since..." It implies a sense of nostalgia and possible regret or loss. So instead of being called "I've Loved You So Long", it should've probably been "It's Been a Long Time Since I Loved You". Even that translation is imperfect, so you may just have to listen to the Zeppelin song to get what I mean.
Why is this important? Because the entire film is done with a haunting sense of nostalgia, regret & melancholy as the proper title should imply. But also, as the title should imply, it's not necessarily depressing or final. I thought the film pulls it off brilliantly. The subject is very dark & gloomy, yet the film doesn't descend to being dark & gloomy itself. Instead, like a good murder mystery, it allows us to peel away at the dark truth while not getting dragged down ourselves. This is done by keeping us out of the main character's troubled past until the very end. As a result, we don't form prejudices that would taint our objectivity.
And that's what this film is about: society's prejudices. Not in a overt way, but with subtlety the way director Clint Eastwood likes to do ("The Unforgiven", "Gran Turino", "Midnight in the Garden of Good & Evil"). Films like this challenge us to see 'villains' in a different light, and they expose society's folly in labeling them thus.
In this film, Kristin Scott Thomas plays a woman who, for cloaked reasons, is discarded by society. Her unwillingness to explain herself only deepens the disconnect. The motives for her bizarre behaviour remain a mystery until the end, forcing our imagination to remain on high alert throughout the entire film. Without any car chases, gunfire or monsters, this film still manages to create a great atmosphere of suspense & anticipation. In that regard it's similar to "Five Minutes of Heaven" (2009), "Leaving Las Vegas" (1995) or the obscure Japanese flick "Shiki-jitsu" (2000), all excellent films that derive their suspense from slowly peeling away the psychology of a troubled character.
Kristin's performance is simply amazing. It would be easy for an actor to play the role as a victim, a depressed person feeling sorry for herself, but no. Kristin plays it with an air of strength and quiet, desperate dignity. And in the end we realize that's exactly how it should be. Don't miss the chance to see this great film!
Why is this important? Because the entire film is done with a haunting sense of nostalgia, regret & melancholy as the proper title should imply. But also, as the title should imply, it's not necessarily depressing or final. I thought the film pulls it off brilliantly. The subject is very dark & gloomy, yet the film doesn't descend to being dark & gloomy itself. Instead, like a good murder mystery, it allows us to peel away at the dark truth while not getting dragged down ourselves. This is done by keeping us out of the main character's troubled past until the very end. As a result, we don't form prejudices that would taint our objectivity.
And that's what this film is about: society's prejudices. Not in a overt way, but with subtlety the way director Clint Eastwood likes to do ("The Unforgiven", "Gran Turino", "Midnight in the Garden of Good & Evil"). Films like this challenge us to see 'villains' in a different light, and they expose society's folly in labeling them thus.
In this film, Kristin Scott Thomas plays a woman who, for cloaked reasons, is discarded by society. Her unwillingness to explain herself only deepens the disconnect. The motives for her bizarre behaviour remain a mystery until the end, forcing our imagination to remain on high alert throughout the entire film. Without any car chases, gunfire or monsters, this film still manages to create a great atmosphere of suspense & anticipation. In that regard it's similar to "Five Minutes of Heaven" (2009), "Leaving Las Vegas" (1995) or the obscure Japanese flick "Shiki-jitsu" (2000), all excellent films that derive their suspense from slowly peeling away the psychology of a troubled character.
Kristin's performance is simply amazing. It would be easy for an actor to play the role as a victim, a depressed person feeling sorry for herself, but no. Kristin plays it with an air of strength and quiet, desperate dignity. And in the end we realize that's exactly how it should be. Don't miss the chance to see this great film!