I am not a Tyler Perry defender, but I have to call foul on the 3.1 rating. Those who reviewed the movie average about a 6 or 7, so I'm led to believe many who have voted on this movie did not in fact see the movie. Considering the assault Perry receives from critics--myself included at times--it would not be hard to believe some would undermine the rating system here and seek to sabotage anything with the name "Perry" in front of it. Moving on...
I will go out on a limb and say this is Perry's highest quality effort to date. It's the first movie I remember seeing of his that did not run with the trite good-guy/bad-guy story line. This movie had more depth than any of his previous. There were no bad guys. Every character was troubled and coping and...human. Many I think missed the real theme of this movie. It has absolutely nothing to do with a man coming to save a woman. It is about having the courage to follow your own path. It is a universal theme, one that hits home for virtually everyone. Sure there may be better movies out there who execute this theme, but this movie does it competently in my opinion, and by Tyler Perry's standards, it is more than competent. It is dare I say, actually "good?"
I liked the acting. Once I got past Thandie's always-strange accent and the little girl's initially poor acting performance, and Brian White's sometimes over-acting, the movie caught its groove and all of the actors delivered. Newton played a particularly touching role. I have to admit her ability to cry on a dime regarding the loss of her child, made me tear up a bit. To say that I was shocked to find myself actually tearing up from a Tyler Perry movie is the understatement of the day. Perry and Gabrielle Union also delivered. Both portrayed their complex characters well and competently showcased the true ambivalence that often accompanies a relationship, especially one that occurs when the couple is past their twenties and have to grapple with all the life expectations that entails. This brings me to the next highlight--the script.
It seems like Perry actually took his time--or at least more time than he usually does, say on the horrible movies like "Madea Goes to Jail" or the like--on this script. There was more character development, more growth, more nuance, and unpredictability. There were plot holes, sure, but in general, you didn't feel short-changed as a viewer, like the writer was just trying to rush something through to meet a deadline so that he could ultimately get your money--ahem--"Why did I get Married 2" looking at you!
Finally, I liked the pace of the movie. Some may think it was slow, I think it was mature...a mature movie about mature matters. I liked this for a change, especially in comparison to the low-IQ slapstick I had previously associated with Tyler Perry. And let me leave this little tidbit: If you, like me, happen to currently be in a similar place in life as these characters--about to make big life decisions but fear you are not making the right ones--you will doubly appreciate the meditative pace. You will appreciate the more introspective tone than is found in Perry's other movies.
The movie is not perfect, but I will give it a relatively high rating simply to combat the unfairly low rating it has as of this writing. We should applaud growth when we see it. "See it" being the operative phrase. See the movie before low-rating it. Have some integrity folks.
I will go out on a limb and say this is Perry's highest quality effort to date. It's the first movie I remember seeing of his that did not run with the trite good-guy/bad-guy story line. This movie had more depth than any of his previous. There were no bad guys. Every character was troubled and coping and...human. Many I think missed the real theme of this movie. It has absolutely nothing to do with a man coming to save a woman. It is about having the courage to follow your own path. It is a universal theme, one that hits home for virtually everyone. Sure there may be better movies out there who execute this theme, but this movie does it competently in my opinion, and by Tyler Perry's standards, it is more than competent. It is dare I say, actually "good?"
I liked the acting. Once I got past Thandie's always-strange accent and the little girl's initially poor acting performance, and Brian White's sometimes over-acting, the movie caught its groove and all of the actors delivered. Newton played a particularly touching role. I have to admit her ability to cry on a dime regarding the loss of her child, made me tear up a bit. To say that I was shocked to find myself actually tearing up from a Tyler Perry movie is the understatement of the day. Perry and Gabrielle Union also delivered. Both portrayed their complex characters well and competently showcased the true ambivalence that often accompanies a relationship, especially one that occurs when the couple is past their twenties and have to grapple with all the life expectations that entails. This brings me to the next highlight--the script.
It seems like Perry actually took his time--or at least more time than he usually does, say on the horrible movies like "Madea Goes to Jail" or the like--on this script. There was more character development, more growth, more nuance, and unpredictability. There were plot holes, sure, but in general, you didn't feel short-changed as a viewer, like the writer was just trying to rush something through to meet a deadline so that he could ultimately get your money--ahem--"Why did I get Married 2" looking at you!
Finally, I liked the pace of the movie. Some may think it was slow, I think it was mature...a mature movie about mature matters. I liked this for a change, especially in comparison to the low-IQ slapstick I had previously associated with Tyler Perry. And let me leave this little tidbit: If you, like me, happen to currently be in a similar place in life as these characters--about to make big life decisions but fear you are not making the right ones--you will doubly appreciate the meditative pace. You will appreciate the more introspective tone than is found in Perry's other movies.
The movie is not perfect, but I will give it a relatively high rating simply to combat the unfairly low rating it has as of this writing. We should applaud growth when we see it. "See it" being the operative phrase. See the movie before low-rating it. Have some integrity folks.