Words like "wild" and "madness" are cliché, but there's really no other way to describe American Animal. Just like Jimmy's (Matt D'Elia) more straight-laced roommate James struggles to voice his own concerns, ambitions, and feelings in the face of Jimmy's relentless energy; it's hard to describe the film as anything other than completely mad. Ultimately this is what made it so challenging at times, but also so engaging. This is no holds-barred madness that refuses to be channeled in a single vein, and the film jumps from one bizarre scene to the next; each a different manifestation of Jimmy's deranged psyche brought to life. Jimmy is Fight Club's Tyler Durden reinvented; half as violent and twice as zany, obsessed with Hollywood actors and costumes instead of Project Mayhem and underground boxing.
But like Tyler Durden, Jimmy fights what he perceives to be the conformist indoctrination of the masses with his own extreme doctrine and is mercilessly intolerant of his friends' more "normal" views. He leaps before he looks. He acts, then asks for forgiveness, or doesn't. The film drags and is at times overly dramatic, but the whole thing builds and builds until it spirals out of control. It offers some severe gut-checks amidst the chaos, offering clarity in the confusion, and it gives the film the uncompromising point it searches for.
But like Tyler Durden, Jimmy fights what he perceives to be the conformist indoctrination of the masses with his own extreme doctrine and is mercilessly intolerant of his friends' more "normal" views. He leaps before he looks. He acts, then asks for forgiveness, or doesn't. The film drags and is at times overly dramatic, but the whole thing builds and builds until it spirals out of control. It offers some severe gut-checks amidst the chaos, offering clarity in the confusion, and it gives the film the uncompromising point it searches for.