Most critics and viewers seem to agree that Claude Chabrol's "golden age" was somewhere between 1968-1973; this earlier (1962) film, which I saw under the title "The Evil Eye", would fit right in with those more celebrated films: it is hypnotic, elegant, methodical (as it builds a feeling of unease), and features lots of Chabrol's masterful use of the camera. And it has at least one more advantage: unlike some of his later films, which go on a bit too long, this one runs for under 80 minutes. Of course another - strong - link is the presence of Stephane Audran, whose character even has a familiar name: Helene; Audran is a classy beauty with a naturally muscular body! And of course a great actress as well. In short, I recommend this film not only for its historical value as an early Chabrol effort, but mainly because it's a damn good film anyway. *** out of 4
Review of The Third Lover
