I found the sub-plot of the character, Charlie (played by Peter Dinklage), to be more interesting than that of the boring main characters. I'm not sure if it was the story of Charlie's life, or the way that Dinklage portrayed the character. But Dinklage's performance, mannerisms and emotions where underplayed to perfection that I was hooked in by him, while the other characters just lost my interest for the lack of realism and depth. The only time those Aussie actors seemed decent was when they were sharing the scene with Dinklage.
There were highlights in the film thanks to Peter Helliar's comic script, but a majority of the actors let it down. The direction was of interest, capturing moments in clever camera framing (or was it the camera operator/DP?). Maybe a few rewrites of this, and perfect casting, would have given it justice. I wonder if the Yanks, or the French, can turn this into an interesting remake?
There were highlights in the film thanks to Peter Helliar's comic script, but a majority of the actors let it down. The direction was of interest, capturing moments in clever camera framing (or was it the camera operator/DP?). Maybe a few rewrites of this, and perfect casting, would have given it justice. I wonder if the Yanks, or the French, can turn this into an interesting remake?