Review of Skyfall

Skyfall (2012)
8/10
21st Century Man
18 November 2012
I don't know much about James Bond. Sure, I can tell you about S-sssean Connery, I can hum the theme, I can recognize an Aston Martin and a shaken martini, but I actually haven't seen many of the films. Heck I was born recognizing Pierce Brosnan as the definitive James Bond look, playing Nightfire in junior school. To be honest, I've only seen Quantum of Solace and hated it.

Skyfall has made me a believer. For all its necessities: guns, cars, girls and chases, Skyfall is more. Skyfall is smart.

Skyfall tells a sharp, straightforward story that blends elements exquisitely, with a brilliantly flowing opening chase that transfers to scenes of dialogue and plot development, then back to action... the mix is smooth, with cause and effect, drama to action. There is also some comedy laced in, akin to Nolan's Batman series, clearly an influence on this film. Skyfall has many memorable scenes, my favourite being the hotel in Shanghai. The action is always creative, the fights mesmerizing. I'm sure I'll see- if not try- the iconic subway slide one of these nights.

The cinematography is brilliant, distractingly so. Clever and effective, you will be amazed at how the film is shot and how colour is used- I'll nod to Shanghai again.

The acting is really something for such a blockbuster. Craig brings a very human Bond, who surprises you more than once. Skyfall looks into the past of James Bond- how does someone become a secret agent? I haven't seen Casino Royale, but after the horrible Quantum he now looks incredibly comfortable in the role. The 'style check' train jump at the beginning and throwback ride show this.

Judi Dench sees lots of screen time in her 7th appearance as M, this time as a pivotal plot point, more than just mission control. She never lets her guard down, always with a look of bulldog ferocity. This cuts screen time from the Bond girls, but that's because, I have to give credit to IGN here, that M is the Bond girl of Skyfall.

After his incredible turn as Anton Chigurh in No Country for Old Men, it would'v e been easy to see Javier Bardem as a vengeance-seeking ex- agent. But that's not what happened, far from it. I think Bardem's Silva will catch everyone in the theatre off-guard, in at least one way. His introductory scene is incredible, his speech chilling. His character is unsettling, his appearance ghastly, but inside he's smart, and it's his mind that really holds his menace. He's a justified villain and a very worthy opponent.

Thematically, Skyfall smartly chooses to acknowledge technology. The film deals with the irrelevance of humans in conflict, and the prevalence of computers. The old in society being displaced by the young, the technologically- minded. The topic is interesting on its own, but in context it's brilliant. James Bond is a 50 year tradition, now forced to change with the world. Skyfall is the start of a new Bond era.

If nothing else, Skyfall is an engaging and satisfying film. But it's more than that, it speaks about our changing society, examines relationships usually forgotten in Bond films, and features incredible actors and technical work. So it's really more than a Bond film, it's a modern landmark. 8.5/10
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