Only among the left-wing lunatics that make documentaries for the National Film Board of Canada could one find the kind of person who would complain that the experience of getting a deadly disease is made somehow less dignified because of its association with corporate giving. Author Barbara Ehrenreich, cancer survivor, complains about everything she can think of: that anti-cancer activists are annoyingly upbeat, that some of the products sold to support breast cancer research are cuddly or cute, that the grim, sad, angry sorts of cancer patients out there don't get enough airplay. This documentary remedies that with several wrenching interviews with weeping cancer patients suffering from end -stage cancer. See, audience? What do you think of those stupid little ribbons now, huh?
Samantha King even goes so far as to call an upbeat attitude in he face of the disease "tyranny." As in "tyranny of cheerfulness."
The Susan G. Komen Foundation ran afoul of feminists a few years back by daring not to support Planned Parenthood's abortion-on-demand factories. It seems Lea Pool and her backers at the National Film Board have fired a dark and angry salvo back at the "pink ribbon" industry that, if the film's subtext is anything to go by, is guilty mainly of making it more difficult to politicize the disease and make it the realm of angry feminists with anti- capitalist leanings.
Well-produced, but probably not a fair portrayal of mainstream and corporate anti-cancer efforts. Cynical and borderline juvenile in its contrarianism. C+.
Samantha King even goes so far as to call an upbeat attitude in he face of the disease "tyranny." As in "tyranny of cheerfulness."
The Susan G. Komen Foundation ran afoul of feminists a few years back by daring not to support Planned Parenthood's abortion-on-demand factories. It seems Lea Pool and her backers at the National Film Board have fired a dark and angry salvo back at the "pink ribbon" industry that, if the film's subtext is anything to go by, is guilty mainly of making it more difficult to politicize the disease and make it the realm of angry feminists with anti- capitalist leanings.
Well-produced, but probably not a fair portrayal of mainstream and corporate anti-cancer efforts. Cynical and borderline juvenile in its contrarianism. C+.