The Magic Sword (AKA: The Seven Curses of Lodac/St. George and the Seven Curses) is directed by Bert I. Gordon who also co-writes with Bernard Schoenfeld. It stars Basil Rathbone, Estelle Winwood, Gary Lockwood, Anne Helm, Liam Sullivan and Danielle De Metz. Music is by Richard Markowitz and cinematography by Paul Vogel.
A young knight faces a hoard of mythical beasts in his quest to rescue a beautiful princess from the clutches of the evil sorcerer Lodac.
Cheap and bonkers but seen through a child's eyes actually quite fun. We are in a world of ogre's, dwarfs, Siamese twins, harpy hags, ghostly faces, two headed dragons and of course heroic knights and buxom wenches. The effects work ranges from the laughable (rubber mask wearing humans) to the passable because of the budget (model work and super imposed placements), while the sets pre-date Star Trek standard by some four years.
In the cast it's only Rathbone and Winwood who are good value because they firmly know how to play it in this sort of production. Major plus point is the colour photography, where even though it sometimes veers towards the garish, it's mostly very appealing and vividly brings to life the good standard of costuming (Esther Krebs and Oscar Rodriguez). So! If you can judge it on its own modest terms and accept it as the kiddie friendly fantasy it is? Then it's passable fluffy entertainment. 5/10
A young knight faces a hoard of mythical beasts in his quest to rescue a beautiful princess from the clutches of the evil sorcerer Lodac.
Cheap and bonkers but seen through a child's eyes actually quite fun. We are in a world of ogre's, dwarfs, Siamese twins, harpy hags, ghostly faces, two headed dragons and of course heroic knights and buxom wenches. The effects work ranges from the laughable (rubber mask wearing humans) to the passable because of the budget (model work and super imposed placements), while the sets pre-date Star Trek standard by some four years.
In the cast it's only Rathbone and Winwood who are good value because they firmly know how to play it in this sort of production. Major plus point is the colour photography, where even though it sometimes veers towards the garish, it's mostly very appealing and vividly brings to life the good standard of costuming (Esther Krebs and Oscar Rodriguez). So! If you can judge it on its own modest terms and accept it as the kiddie friendly fantasy it is? Then it's passable fluffy entertainment. 5/10