Rex Harrison and Lilli Palmer star in the British "The Long Dark Hall," from 1951.
Harrison plays Arthur Groome, who stands trial for the murder of a showgirl, played by Patricia Wayne. Actually, the person who did it is a man who has killed before (Anthony Dawson), which we see in the beginning. However, thanks to some circumstantial evidence, Groome, who was involved with Rose, stands accused.
His wife Mary (Palmer) knows he couldn't have killed the woman, no matter what, and stands by him.
This evidently was an attempt to cash in on the suicide of Carole Landis in 1948. As the story goes, Harrison, who was married to Palmer at the time, refused to divorce her and marry Landis, which is said to have driven Landis to suicide. She left two suicide notes, one of which was for Harrison, and Harrison destroyed it and claimed he knew no reason for her suicide. This was long ago, and I imagine many stories have sprung up and been embellished, so it's hard to know what happened. It is known that Landis knew by 1948 that she wasn't going to have the career she wanted; she was 29, and by the time you were a female aged 30 in Hollywood, you were done playing the kind of role she did. Palmer stood by Harrison during the scandal and attended Landis' funeral with him.
Now, why these two would have agreed to do this film is beyond even my wild imagination, except both of them might have been trying to prove something.
It's an okay movie with one problem. We are taken through the criminal's first murder and his murder of Rose; the arrest of Arthur; the trial; the testimony; his alibi witness guilty for not coming forward; the verdict. And then, one minute before the film ends, we are told the whole rest of the story. It seemed a little abrupt to me, as if the money ran out or something.
The acting is very good, Harrison a great pro and Palmer, lovely and elegant. Though she and Harrison did not divorce until 1956, she left him in 1954 and made films in her native Germany, though she continued to make American films.
Harrison plays Arthur Groome, who stands trial for the murder of a showgirl, played by Patricia Wayne. Actually, the person who did it is a man who has killed before (Anthony Dawson), which we see in the beginning. However, thanks to some circumstantial evidence, Groome, who was involved with Rose, stands accused.
His wife Mary (Palmer) knows he couldn't have killed the woman, no matter what, and stands by him.
This evidently was an attempt to cash in on the suicide of Carole Landis in 1948. As the story goes, Harrison, who was married to Palmer at the time, refused to divorce her and marry Landis, which is said to have driven Landis to suicide. She left two suicide notes, one of which was for Harrison, and Harrison destroyed it and claimed he knew no reason for her suicide. This was long ago, and I imagine many stories have sprung up and been embellished, so it's hard to know what happened. It is known that Landis knew by 1948 that she wasn't going to have the career she wanted; she was 29, and by the time you were a female aged 30 in Hollywood, you were done playing the kind of role she did. Palmer stood by Harrison during the scandal and attended Landis' funeral with him.
Now, why these two would have agreed to do this film is beyond even my wild imagination, except both of them might have been trying to prove something.
It's an okay movie with one problem. We are taken through the criminal's first murder and his murder of Rose; the arrest of Arthur; the trial; the testimony; his alibi witness guilty for not coming forward; the verdict. And then, one minute before the film ends, we are told the whole rest of the story. It seemed a little abrupt to me, as if the money ran out or something.
The acting is very good, Harrison a great pro and Palmer, lovely and elegant. Though she and Harrison did not divorce until 1956, she left him in 1954 and made films in her native Germany, though she continued to make American films.