Another unusual experiment from Hitchcock, this is not a suspense thriller, but combination jewel heist/ kidnapping plot, with a pair of smalltime cons crossing paths with kidnappers (with a hidden room behind a brick wall in their basement, clearly inspired by Poe)
It has its moments of effectiveness, particularly an out-of-control drive down a winding, mountainside road, and a daring kidnap in front of a congregation. Also benefits from a good cast: Bruce Dern is wonderful, Barbara Harris is good also, as his phony medium of a wife. William Devane does well also, but he looks like a 1970s porno version of Rod Serling, and Karen Black's character is just merely there, leaving little impact considering she is a main character.
Hitchcock adapted well to the 1970s, he appears to be moving forward, rather than just go for nostalgia, and the film is all the more better for that, rather than resorting to more chases on Mount Rushmore. But I still prefer his penultimate, Frenzy, because overall, this looks like an extended episode of Columbo, minus the old guy in the raincoat.
It has its moments of effectiveness, particularly an out-of-control drive down a winding, mountainside road, and a daring kidnap in front of a congregation. Also benefits from a good cast: Bruce Dern is wonderful, Barbara Harris is good also, as his phony medium of a wife. William Devane does well also, but he looks like a 1970s porno version of Rod Serling, and Karen Black's character is just merely there, leaving little impact considering she is a main character.
Hitchcock adapted well to the 1970s, he appears to be moving forward, rather than just go for nostalgia, and the film is all the more better for that, rather than resorting to more chases on Mount Rushmore. But I still prefer his penultimate, Frenzy, because overall, this looks like an extended episode of Columbo, minus the old guy in the raincoat.