4/10
Landis is the best part of the movie
2 December 2013
This "screwball" comedy about lawyers, newlyweds, magicians and disappearing dead bodies is a bit too forced for its own good. Pat O'Brien was an old hand at this type of thing, and it shows, but George Murphy wasn't, and that shows, too--he's constantly trying to keep up with or even upstage O'Brien, but he's not up to it. The convoluted writing doesn't help matters, either, but in movies like this a good cast and director can overcome the script's shortcomings. That's not the case here, however. The slapstick is trite--there's nothing really funny about someone falling into a lake, which happens several times--and although there are some sharp lines in the script, there aren't enough of them to keep the film going.

By far the best part of the movie, however, is Carol Landis. She's a revelation. She has seldom looked more stunning, and the combination of her beauty, sweetly sexy voice and first-rate comedy chops are irresistible (as an extra added attraction, Landis puts in a brief appearance in a bathing-beauty contest; it's only a few seconds, but it's worth it). She has far more chemistry with O'Brien, who plays her nemesis, than she does with Murphy, who plays her husband, and their scenes together really crackle as opposed to her scenes with Murphy, which fall flat.

Overall, it's an OK comedy-mystery that has its moments, but not enough of them. It's worth a watch once, maybe, if only to see Carol Landis at her prime. She would unfortunately commit suicide a few years later, apparently despondent over a failed affair and a stalled career. A sad, sad ending for one of the most beautiful, talented and underrated actresses Hollywood has ever seen.
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