Allude to Medea in your film title and you're promising high passion
and a mystery meat pie even if you don't specify the gender of the
chef. Andrea Pallaoro provides none of that in Medeas.
Instead a quiet, psychological drama is played out on a failing dairy
farm in Southern California. But as Willy Loman demonstrated, even the
simplest human lives can wear a tragic dignity.
The classical register of the title corrects our initial sense that
this film is about the taciturn farmer and his mute wife's
communication problem. They have four boys, a blossoming teenage
daughter and now word of another baby on the way. The oldest boy
threatens the father's stern hold, especially when the mother is at
risk.
The father is characterised by his favourite game. He feigns
sleep/death/drowning, then roars to loud play-threat life. When he
intuits his wife's outside romance and his children growing away the
threat turns real. Only his wife survives.
Review of Medeas
Medeas
(2013)
Dairy farmer and mute wife live silent, desperate existence
12 January 2014
Warning: Spoilers