6/10
Above Average Crime Thriller.
28 January 2014
Warning: Spoilers
Paramount's THE TURNING POINT is unfortunately a forgotten movie. A reasonably good crime thriller the film has suffered probably because of its unavailability in any format. It cannot be found even on VHS and its TV screenings are few and far between. Why this should be is anybody's guess for it is nicely written by Warren Duff and has a sterling cast in William Holden, Edmond O'Brien, Alexis smith and Ed Begley. Produced for the studio in 1952 by Irving Asher it comes from a story "Storm In The City" by Horace McCoy. Crisply photographed in black and white by Lionel Linden it was given a nice noirish style by director William Dieterle. Like Robert Wise's "The Captive City", made the same year, the picture is heavily influenced by the Kefauver Crime Hearings in the U.S. senate in 1950 and 1951 set up to investigate organized crime and its cross border activities.

Newly appointed crime commissioner John Conroy (Edmond O'Brien) is determined to crack down on the crooked syndicate that is holding the city to ransom with its extortion racket and other illegal enterprises. With the help of his police detective father Matt Conroy (an excellent Tom Tully) he intends to eliminate the hoodlum element controlled by syndicate boss the ruthless Eichelberger (Ed Begley). But to his surprise he finds his father is reluctant to get involved. Investigative reporter and John Conroy's boyhood friend Jerry McKibbon (William Holden) is suspicious at Matt's reticence in helping out his son and follows him. He is shocked to discover he does business and has dealings with the syndicate. He is now undecided on just how to tell his friend that his father is no more than a crooked cop. To further complicate matters he begins having an affair with John's secretary and girlfriend the attractive Amanda Waycross (Alexis Smith). The picture comes to a nail-biting finish when an out of town hit man (Neville Brand) comes gunning for McKibbon (an exciting sequence at a boxing match) so as to prevent him from reporting anymore about the activities of the mob in his newspaper.

The acting is splendid from the entire cast. William Holden in the wake of his brilliant performances in the unforgettable "Sunset Boulevard" and his fine railroad cop in the excellent "Union Station" gives his usual well polished performance this time as a hard bitten newspaper reporter. Excellent too is Edmond O'Brien as the commissioner. O'Brien was an actor who was never known to give a bad performance and doesn't disappoint here. Supplying the romance is the attractive Alexis Smith an actress who for years was buried in nothing roles at Warner Brothers here comes out of her shell to give a nice portrayal of a woman torn between two men. The following year she would steal the acting honours from all around her in RKO's neat little thriller "Split Second".

There is no original music in the picture which is something of a disappointment. All that is heard are bits and pieces culled from unused music of Victor Young and Miklos Rozsa and conducted and supervised by Irvin Talbot. However the music score not withstanding the picture doesn't suffer because of it and it remains a good solid crime thriller. Now where is Olive Films to give us the DVD?
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