Wreck-It Ralph is a video game bad guy (clearly modelled on Donkey Kong) who detests his life as a much-hated dump-living loner and longs to be, instead, a hero who saves the day and is loved-by-all. Better still have a shiny medal to hang around his neck. With this in mind he leaves his own game and seeks a medal in the other games in the arcade.
(Naturally by doing so he puts the "whole of video arcade in danger.")
The internal logic of this cartoon doesn't really stand much scrutiny because video game characters don't have a life outside of their games and even if they did this is contradictory in the extreme. I suppose we have to suspend all our facilities as regards belief and logic, but why would a bad guy (created for the purposes of this alone) have a heart-of-gold? While this may be unimportant the film can't even decide on its own internal logic. Why would the characters die if the plug is pulled? Do they die if they have a power cut as well? Equally why didn't they die before they got to the arcade?
(This is a movie written by people who don't know their ROM from their RAM?)
For those old enough to remember eight-bit games and the early days of computing there are plenty of laughs and references. Q-bert was my favourite. Not a fan of shoot-em-ups generally and they play on screen worse than they do in any actual game. They just don't create any sense of danger. They are simply there to be shot and never seem to do anything to avoid being shot. They are about as menacing as wasps around a picnic.
For my money it would have been more fun for Ralph to go in to loads of different games and interact with loads of our old favourites. Here he only lingers in two. Clearly this would have cost a lot more and, who knows, meant having to pay licensing. From the information about the film available here this was one of the original ideas.
Ralph is quite a complex character in being a bit stupid (for laughs) one minute and quite cunning (for convenience) the next. I guess that a lot of dim characters are like this in movies, they have to serve the general plot and be whatever is needed. Worse the central character is such a bland retread of Shrek. John C. Reilly's voice performance is simply great though.
The King Candy (Alan Tudyk) character seems to be indicating he is gay (lots of pink - sorry salmon - in the castle) and speaks with a bit of a camp lisp. While attacking some prejudices (the girl racers are all bitches ripe to be made good) it endorses others? He is a lot of fun though and adds a tiny bit of danger to a plot where nothing-bad-can-happen-and-we-all-know-it.
Too cute and sharp tongued by-half Vanellope (Sarah Silverman) is a would-be racer who Ralph helps and is the co-central plot thread of the movie and while fun and entertaining, what follows is like watching somebody else's video game from over their shoulder.
I guess the end message is go and see this film, enjoy it and think about the character references (if you know them), but don't start thinking about it too much. It really falls apart if you do. Strangely for a film about growth and change, the payoff is actually pretty weak. Like many cartoons and animated series the central message seems to be that everybody should know their place and be happy with it. Another cliché box ticked, sadly.
(Naturally by doing so he puts the "whole of video arcade in danger.")
The internal logic of this cartoon doesn't really stand much scrutiny because video game characters don't have a life outside of their games and even if they did this is contradictory in the extreme. I suppose we have to suspend all our facilities as regards belief and logic, but why would a bad guy (created for the purposes of this alone) have a heart-of-gold? While this may be unimportant the film can't even decide on its own internal logic. Why would the characters die if the plug is pulled? Do they die if they have a power cut as well? Equally why didn't they die before they got to the arcade?
(This is a movie written by people who don't know their ROM from their RAM?)
For those old enough to remember eight-bit games and the early days of computing there are plenty of laughs and references. Q-bert was my favourite. Not a fan of shoot-em-ups generally and they play on screen worse than they do in any actual game. They just don't create any sense of danger. They are simply there to be shot and never seem to do anything to avoid being shot. They are about as menacing as wasps around a picnic.
For my money it would have been more fun for Ralph to go in to loads of different games and interact with loads of our old favourites. Here he only lingers in two. Clearly this would have cost a lot more and, who knows, meant having to pay licensing. From the information about the film available here this was one of the original ideas.
Ralph is quite a complex character in being a bit stupid (for laughs) one minute and quite cunning (for convenience) the next. I guess that a lot of dim characters are like this in movies, they have to serve the general plot and be whatever is needed. Worse the central character is such a bland retread of Shrek. John C. Reilly's voice performance is simply great though.
The King Candy (Alan Tudyk) character seems to be indicating he is gay (lots of pink - sorry salmon - in the castle) and speaks with a bit of a camp lisp. While attacking some prejudices (the girl racers are all bitches ripe to be made good) it endorses others? He is a lot of fun though and adds a tiny bit of danger to a plot where nothing-bad-can-happen-and-we-all-know-it.
Too cute and sharp tongued by-half Vanellope (Sarah Silverman) is a would-be racer who Ralph helps and is the co-central plot thread of the movie and while fun and entertaining, what follows is like watching somebody else's video game from over their shoulder.
I guess the end message is go and see this film, enjoy it and think about the character references (if you know them), but don't start thinking about it too much. It really falls apart if you do. Strangely for a film about growth and change, the payoff is actually pretty weak. Like many cartoons and animated series the central message seems to be that everybody should know their place and be happy with it. Another cliché box ticked, sadly.