**SPOILERS - but none that explain the whole film...
An enigmatic samurai repeatedly crosses Ichi's path (with Zato sporting that new sword from the previous film) as the hero becomes saddled with, and attached to, an orphan. Along the way the audience is confronted by yet another morality question: Should the long arm of the law reach out with blind, unswerving justice or redemptive morality? The opening song is sung by Katsu-san himself, doing justice to the musicality instilled by his father. Another song is sung by the pop-singer Nakao Mie. This entry has brilliant cinematography, strong secondary stories, and excellent acting by supporting cast. The great evil in this film involves the use of "forbidden materials" to produce pornographic art - each piece worth a small fortune. The final showdown is considered one of the best of the series.
The orphan boy Ryota is played by Saitô Shinya - according to the book World Filmography: 1967; page 423.
An enigmatic samurai repeatedly crosses Ichi's path (with Zato sporting that new sword from the previous film) as the hero becomes saddled with, and attached to, an orphan. Along the way the audience is confronted by yet another morality question: Should the long arm of the law reach out with blind, unswerving justice or redemptive morality? The opening song is sung by Katsu-san himself, doing justice to the musicality instilled by his father. Another song is sung by the pop-singer Nakao Mie. This entry has brilliant cinematography, strong secondary stories, and excellent acting by supporting cast. The great evil in this film involves the use of "forbidden materials" to produce pornographic art - each piece worth a small fortune. The final showdown is considered one of the best of the series.
The orphan boy Ryota is played by Saitô Shinya - according to the book World Filmography: 1967; page 423.