In Metro, a breach in the old subway system of Moscow lets water pour in, trapping an entire rush hour subway train underground. The crash scenes are spectacular and the rest of the film follows a small group of survivors trying to get to the surface.
This is what Stallone's Daylight should have been. There is no heroic saviour that solves everyone's problems, but everybody for themselves. The tension, the interaction between the characters, the very beautiful Svetlana Khodchenkova and Katerina Shpitsa and a kind of over the top coincidence involving a love triangle, they all bring quality to the film.
At more than two hours long, I can say that I did not feel the desire to fast forward even once, which is very rare. The Russian references have that sad/funny feel about them. You could laugh at them if you didn't have to go through them yourself, and then it's kind of sad, but you appreciate the recognition.
Bottom line: get yourself a decent translation (unfortunately I did not have one) and watch Metro. Its flaws are minimal, mainly related to acting, and you can easily enjoy the film from start to end.
This is what Stallone's Daylight should have been. There is no heroic saviour that solves everyone's problems, but everybody for themselves. The tension, the interaction between the characters, the very beautiful Svetlana Khodchenkova and Katerina Shpitsa and a kind of over the top coincidence involving a love triangle, they all bring quality to the film.
At more than two hours long, I can say that I did not feel the desire to fast forward even once, which is very rare. The Russian references have that sad/funny feel about them. You could laugh at them if you didn't have to go through them yourself, and then it's kind of sad, but you appreciate the recognition.
Bottom line: get yourself a decent translation (unfortunately I did not have one) and watch Metro. Its flaws are minimal, mainly related to acting, and you can easily enjoy the film from start to end.