BEING A Spin off from THE ANDY GRIFFITH show, even before anyone had even heard of a "spinoff"; GOMER PYLE, U.S.M.C. successfully walked a tight rope to sitcom immortality. Going on and staying on CBS for a full 5 years was no small accomplishment.
THE "TIGHTROPE" OF which we speak was that certain balance that the production team sought and managed to maintain throughout the series run. This balance was one of seeking a sort of middle of the road approach to Gomer's persona.
HAVING ORIGINATED AS a stock character hillbilly and employed as an assistant mechanic & grease monkey; the character Gomer's main function was to provide the show with some of its most obvious laughs. Hence, the other supporting characters, such Barney, Floyd, Otis and even Ernest T. Bass, would seem, at least comparatively, smarter.
NOW, WITH THE advent of the GOMER PYLE Series, the production team was presented with a problem of minor personality modification. This "surgery" was a necessary evil for the ultimate success of the show. If left as he appeared on ANDY GRIFFITH, his inherent stupidity would be an insurmountable obstacle to believability and success.
IN RE-INVENTING Gomer's personality (or at least in adjusting it), the writers made Pyle more of an innocent and literalistic (much like Andy Griffith's characterization of 'Will Stockdale' in NO TIME FOR SERGEANTS). Added to this, they emphasized a sort "Heart of Gold" tendency of our hero. This greatly enhanced their ability to make a premise last for the full half hour.
SPEAKING OF FAR-OUT characterizations, what about that of Sergeant Vince Carter. Being portrayed by an under-appreciated dramatic actor (Frank Sutton), it at first seems that this Sergeant is Gomer's eternal Drill Instructor (aka "D.I.") His involvement with the story lines, however, also required a toning down for the good Sergeant Carter's attitudes, personality and actions.
WITH THE OBVIOUS blessing of the United States Department of Defense, the U.S. Navy and the U.S. Marine Corps, those opening and closing sequences using hundreds of real marching Marines, that serve as a backdrop for Sgt. Carter's hard-boiled shouts and gesturing and Pyule's silly laugh-talking.
THIS SEEMED TO be an exercise in the unbelievable; as it was the era of the Vietnam War. We don't really know how to describe this; other than "Dicotomy" and "Paradox."
THE "TIGHTROPE" OF which we speak was that certain balance that the production team sought and managed to maintain throughout the series run. This balance was one of seeking a sort of middle of the road approach to Gomer's persona.
HAVING ORIGINATED AS a stock character hillbilly and employed as an assistant mechanic & grease monkey; the character Gomer's main function was to provide the show with some of its most obvious laughs. Hence, the other supporting characters, such Barney, Floyd, Otis and even Ernest T. Bass, would seem, at least comparatively, smarter.
NOW, WITH THE advent of the GOMER PYLE Series, the production team was presented with a problem of minor personality modification. This "surgery" was a necessary evil for the ultimate success of the show. If left as he appeared on ANDY GRIFFITH, his inherent stupidity would be an insurmountable obstacle to believability and success.
IN RE-INVENTING Gomer's personality (or at least in adjusting it), the writers made Pyle more of an innocent and literalistic (much like Andy Griffith's characterization of 'Will Stockdale' in NO TIME FOR SERGEANTS). Added to this, they emphasized a sort "Heart of Gold" tendency of our hero. This greatly enhanced their ability to make a premise last for the full half hour.
SPEAKING OF FAR-OUT characterizations, what about that of Sergeant Vince Carter. Being portrayed by an under-appreciated dramatic actor (Frank Sutton), it at first seems that this Sergeant is Gomer's eternal Drill Instructor (aka "D.I.") His involvement with the story lines, however, also required a toning down for the good Sergeant Carter's attitudes, personality and actions.
WITH THE OBVIOUS blessing of the United States Department of Defense, the U.S. Navy and the U.S. Marine Corps, those opening and closing sequences using hundreds of real marching Marines, that serve as a backdrop for Sgt. Carter's hard-boiled shouts and gesturing and Pyule's silly laugh-talking.
THIS SEEMED TO be an exercise in the unbelievable; as it was the era of the Vietnam War. We don't really know how to describe this; other than "Dicotomy" and "Paradox."