The Bride Goes Wild (1948)
This is a common kind of entertainment film using a catching, breezy plot and high profile actors, but filmed with bright simplicity and without attempting too much more that the basics.
And all of these basic goals are met here—cheerfully, and rather enjoyably. That is, if you take it for what it is, this is a warm and well made romantic comedy. It excels most for the sweet and subtle acting by June Allyson, and by the surprise depth of the buck-toothed boy character in the movie, Jackie Jenkins. The leading man has never been a favorite of mine—Van Johnson, but he holds up his end well enough.
The plot is a clever set up, reminding me for some reason of the mixed-up plot of "Christmas in Connecticut," which has the same lighthearted feeling. People pretend to be one thing and get into a comical—and romantic trap—by trying to maintain the farce. Everyone is lying, in a way, even the innocent woman who at first is purely innocent. (She ends up pretending, or changing you might say, for different reasons, which the audience appreciates.)
This is no screwball comedy. It lacks the insanity, and the wit, and maybe even the inevitability (even though you know how it ends, more or less). It's a good romp with some excellent acting to shore up the feeble plot. There are lots of great moments, and even an oddly spectacular bit of nonsense near the end where a whole room full of character actors get truly nutty at the same time. Quite funny.
This is a common kind of entertainment film using a catching, breezy plot and high profile actors, but filmed with bright simplicity and without attempting too much more that the basics.
And all of these basic goals are met here—cheerfully, and rather enjoyably. That is, if you take it for what it is, this is a warm and well made romantic comedy. It excels most for the sweet and subtle acting by June Allyson, and by the surprise depth of the buck-toothed boy character in the movie, Jackie Jenkins. The leading man has never been a favorite of mine—Van Johnson, but he holds up his end well enough.
The plot is a clever set up, reminding me for some reason of the mixed-up plot of "Christmas in Connecticut," which has the same lighthearted feeling. People pretend to be one thing and get into a comical—and romantic trap—by trying to maintain the farce. Everyone is lying, in a way, even the innocent woman who at first is purely innocent. (She ends up pretending, or changing you might say, for different reasons, which the audience appreciates.)
This is no screwball comedy. It lacks the insanity, and the wit, and maybe even the inevitability (even though you know how it ends, more or less). It's a good romp with some excellent acting to shore up the feeble plot. There are lots of great moments, and even an oddly spectacular bit of nonsense near the end where a whole room full of character actors get truly nutty at the same time. Quite funny.