Twelfth Night is one of Shakespeare's most accessible and enjoyable comedies for modern audiences. The most popular film production of the play is the 1996 Trevor Nunn version, which is awash is summery color and broad humor.
This modest 1988 film could not be more different from the Nunn film. Instead of emphasizing the comedy, the underlying melancholy stemming from the play's theme about the pain which comes from love dominates the entire story. Instead of vivid colors, we get a wintry setting and costumes dominated by blues, grays, and blacks. It gives the movie an almost desolate feel with little slapstick at all.
It's an interesting approach to the material and the characters pull it off well. Even though this is merely a filmed stage production, it is engaging enough and the unique focus of the production makes it worth a single view.
This modest 1988 film could not be more different from the Nunn film. Instead of emphasizing the comedy, the underlying melancholy stemming from the play's theme about the pain which comes from love dominates the entire story. Instead of vivid colors, we get a wintry setting and costumes dominated by blues, grays, and blacks. It gives the movie an almost desolate feel with little slapstick at all.
It's an interesting approach to the material and the characters pull it off well. Even though this is merely a filmed stage production, it is engaging enough and the unique focus of the production makes it worth a single view.