Based on Alan Snow's children novel "Here Be Monsters", The Boxtrolls follows in the eerie and murky footsteps of Coraline and Paranorman for an animated caper with more quirkiness than a Come Dine With Me at Tim Burton's house.
Isaac Hempstead Wight voices "Eggs", a boy who grew up under the streets by a group of box-wearing trolls, who roam the streets at night finding anything they can to make into useful devices. Deemed a menace and a scourge, the city employs The Red Hats, a team of brutal Boxtroll-catching goons led by Snatcher (Ben Kingsley) - a ruthless and ambitious tyrant, who hopes to climb the social hierarchy in order to swap his red hat for a white one.
White Hats are the political strata of society, the decision-makers, who spend more time scoffing cheese in the Tasting Room than providing any worthwhile contribution to the town of Cheesebridge. When a White Hat's daughter, Winnie (Elle Fanning), falls in with The Boxtrolls and Eggs, the town becomes the setting for a rough-and-tumble adventure as the gang attempt to find and free the Boxtrolls who have been taken by the Red Hats.
Fun, funky, and full of creative freedom, The Boxtrolls delivers a meatier and more enjoyable family film than its predecessors, with a spectacular cast of voices, and some of the best animation in years. It is lively, perfectly-timed, and some of the weightier themes will keep even the snobbiest of film-watchers interested. The film delivers commentary on very relevant class issues and green themes, whilst keeping them tucked under a bombastic and explosive film for families.
The Boxtrolls themselves are like ugly Minions, speaking an incomprehensible dialect of baffling gibberish, whilst looking petrified by the harsh realities of human interaction. They are, in fact, more appealing than Minions as they each have subtle differences (like the one with false teeth, or the one with anger issues), and varying boxes - such as Fish or Eggs.
Just as The Boxtrolls roam the streets recycling garbage into new and useful things, the film itself has recycled some of its makers' past imagery (wouldn't quite call it garbage, although Paranorman tested this particular reviewer) and created a late summer film that thinks outside the box.
Isaac Hempstead Wight voices "Eggs", a boy who grew up under the streets by a group of box-wearing trolls, who roam the streets at night finding anything they can to make into useful devices. Deemed a menace and a scourge, the city employs The Red Hats, a team of brutal Boxtroll-catching goons led by Snatcher (Ben Kingsley) - a ruthless and ambitious tyrant, who hopes to climb the social hierarchy in order to swap his red hat for a white one.
White Hats are the political strata of society, the decision-makers, who spend more time scoffing cheese in the Tasting Room than providing any worthwhile contribution to the town of Cheesebridge. When a White Hat's daughter, Winnie (Elle Fanning), falls in with The Boxtrolls and Eggs, the town becomes the setting for a rough-and-tumble adventure as the gang attempt to find and free the Boxtrolls who have been taken by the Red Hats.
Fun, funky, and full of creative freedom, The Boxtrolls delivers a meatier and more enjoyable family film than its predecessors, with a spectacular cast of voices, and some of the best animation in years. It is lively, perfectly-timed, and some of the weightier themes will keep even the snobbiest of film-watchers interested. The film delivers commentary on very relevant class issues and green themes, whilst keeping them tucked under a bombastic and explosive film for families.
The Boxtrolls themselves are like ugly Minions, speaking an incomprehensible dialect of baffling gibberish, whilst looking petrified by the harsh realities of human interaction. They are, in fact, more appealing than Minions as they each have subtle differences (like the one with false teeth, or the one with anger issues), and varying boxes - such as Fish or Eggs.
Just as The Boxtrolls roam the streets recycling garbage into new and useful things, the film itself has recycled some of its makers' past imagery (wouldn't quite call it garbage, although Paranorman tested this particular reviewer) and created a late summer film that thinks outside the box.