This British film from 1955 stars Robert Beatty, Terry Moore, and William Sylvester.
Commercial artist Tim Forrester (Beatty) is visited by his brother (Sylvester) and learns that a third brother was killed in a car accident in Italy. A young actress, Alison Ford, was with him and she, too, died.
The police seem to be looking for a postcard they believe the dead brother sent to Tim - a drawing of a chianti bottle with a woman's hand holding it, but Tim doesn't have it.
The father of the dead Alison commissions him to paint her portrait and gives Tim a photo of her and the dress she wore in the photo. When he returns home one night, the painting has been ruined and one of his models (Josephine Griffin) is dead in the bedroom, wearing the dress from the portrait. He now is a suspect in her murder. Then Alison Ford shows up, not dead at all.
The premise is Laura-esque as far as the portrait and the dead woman not being dead, but the similarity ends there. The plot concerns international smuggling, and the postcard is very important as police search for the mysterious head of the ring, Nightingale.
The cast has British, Canadian, and American actors in it. It's a bit strange because one of the brothers has a British accent and the other doesn't. Terry Moore is very young and pretty here, and the overall acting is good.
Though this is a British film, the outside influences make it seem more American than most of these movies.
Commercial artist Tim Forrester (Beatty) is visited by his brother (Sylvester) and learns that a third brother was killed in a car accident in Italy. A young actress, Alison Ford, was with him and she, too, died.
The police seem to be looking for a postcard they believe the dead brother sent to Tim - a drawing of a chianti bottle with a woman's hand holding it, but Tim doesn't have it.
The father of the dead Alison commissions him to paint her portrait and gives Tim a photo of her and the dress she wore in the photo. When he returns home one night, the painting has been ruined and one of his models (Josephine Griffin) is dead in the bedroom, wearing the dress from the portrait. He now is a suspect in her murder. Then Alison Ford shows up, not dead at all.
The premise is Laura-esque as far as the portrait and the dead woman not being dead, but the similarity ends there. The plot concerns international smuggling, and the postcard is very important as police search for the mysterious head of the ring, Nightingale.
The cast has British, Canadian, and American actors in it. It's a bit strange because one of the brothers has a British accent and the other doesn't. Terry Moore is very young and pretty here, and the overall acting is good.
Though this is a British film, the outside influences make it seem more American than most of these movies.