After attaining stardom playing Barney Fife on TV, comedy actor Don Knotts made the jump to feature film vehicles with movies such as this one. He plays Luther Heggs, a typesetter for his small town newspaper. What he really wants to be, naturally, is a reporter, and gets his big chance for a scoop when his bosses suggest that he spend the night in a supposedly haunted house.
However, the unaware should know that he actually doesn't spend much of the movie in the house. The balance of the story has him trying to defend himself when the owner of the place, Nicholas Simmons (Philip Ober), sues him for libel. So he is obliged to prove that the supernatural phenomena that he saw in the house were not merely the product of his overworked imagination.
Knotts is priceless in this harmless bit of goofy entertainment. It has a pleasant feel of small town Americana as well as an amusingly decorated Old Dark House. (Whoever was in charge of the cobweb machine clearly went nuts.) The material runs a little hot and cold, though. Whenever Knotts is called upon to do his thing, things get very funny. Whether he's over reacting to the slightest thing, or performing his version of "karate", or awkwardly wooing the lovely young Alma (appealing Joan Staley), he's a riot. All of that jittery energy that was his trademark is in full force. The action is further enhanced by an entertainingly silly music score by Vic Mizzy.
Knotts is supported by an incredible array of top notch character players, most of whom play the straight man - or straight woman - to his antics. It's particularly delightful to see Charles Lane and Robert Cornthwaite as opposing attorneys. The only elements that got annoying quickly to this viewer were the kooky Psychic Occult Society ladies and that "attaboy" heckler (voiced by co-writer Everett Greenbaum).
"The Ghost and Mr. Chicken" is not always terribly funny, but it's certainly got a great charm about it.
Seven out of 10.
However, the unaware should know that he actually doesn't spend much of the movie in the house. The balance of the story has him trying to defend himself when the owner of the place, Nicholas Simmons (Philip Ober), sues him for libel. So he is obliged to prove that the supernatural phenomena that he saw in the house were not merely the product of his overworked imagination.
Knotts is priceless in this harmless bit of goofy entertainment. It has a pleasant feel of small town Americana as well as an amusingly decorated Old Dark House. (Whoever was in charge of the cobweb machine clearly went nuts.) The material runs a little hot and cold, though. Whenever Knotts is called upon to do his thing, things get very funny. Whether he's over reacting to the slightest thing, or performing his version of "karate", or awkwardly wooing the lovely young Alma (appealing Joan Staley), he's a riot. All of that jittery energy that was his trademark is in full force. The action is further enhanced by an entertainingly silly music score by Vic Mizzy.
Knotts is supported by an incredible array of top notch character players, most of whom play the straight man - or straight woman - to his antics. It's particularly delightful to see Charles Lane and Robert Cornthwaite as opposing attorneys. The only elements that got annoying quickly to this viewer were the kooky Psychic Occult Society ladies and that "attaboy" heckler (voiced by co-writer Everett Greenbaum).
"The Ghost and Mr. Chicken" is not always terribly funny, but it's certainly got a great charm about it.
Seven out of 10.