7/10
"A warrior is not a mountain goat. It is well to remember this."
2 March 2015
Warning: Spoilers
A clean shaven Chuck Norris stars in this enjoyable formula action movie with an admittedly trite story. Chuck plays Sean Kane, a narcotics detective whose partner, Dave Pierce (Terry Kiser), is killed early on. Sean, despite having images of the nightmarish scene in his head, is determined to find and punish those responsible. This, of course, he does after resigning from the police force. Teaming up with his gruff and witty mentor, James Chan (Mako), Sean sets about determining the identity of some dope smugglers.

As far as "vengeance for killing my loved ones" cinema goes, "An Eye for an Eye" is agreeable entertainment. An engaging Chuck delivers one of his better performances, and his supporting cast is pretty damn eclectic. His adversary is a smooth and dapper Sir Christopher Lee, as news station owner Morgan Canfield. Lee is cool but is kind of wasted in this part. Richard "Shaft" Roundtree is Chucks' boss, one of those standard issue superior officers who's weary of his employees' methods. The gorgeous and sexy Rosalind Chao is effective as the partners' grieving girlfriend; Maggie Cooper is likewise pleasing to watch as Chucks' love interest. A fine assortment of first rate character actors also helps matters: the briefly seen Kiser of "Weekend at Bernie's" fame, Stuart Pankin as effeminate pimp Nicky LaBelle, Matt Clark as one of Chucks' colleagues, and Mel Novak as the weaselly Montoya. The massive screen villain Professor Toru Tanaka makes quite the impression as a heavy - named The Professor - who, in one uproarious scene, expresses his displeasure by beating up a Volkswagen. J.E. Freeman, Robert Behling, and Nancy Fish have bits. But the show is completely stolen by the hilarious Mako, who endlessly criticizes Chucks' technique and reels off one liners. ("I tried to question him...he preferred to expire.")

In the first of his two movies with Chuck, director Steve Carver delivers the expected action with skill and keeps the story moving forward at a good pace. Chuck kicks ass in high style, and has a nice showdown with the Professor, complete with silly sound effects. There's some fine location work in San Francisco and a solid music score by composer William Goldstein.

"An Eye for an Eye" isn't one of Chucks' best, but it does just fine for a nights' viewing. The sense of humour does help quite a bit.

Seven out of 10.
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