8/10
A movie which dares to shock, but not for its own sake.
16 March 2015
A former top Nazi hides out by being a night porter in a hotel, but is recognised by one of the very inmates he has abused, but rather than turn-him-in she decides to continue their abusive master-and-servant relationship.

This is the kind of movie which I came to very cold and so much the better for it. Despite the passing of the years and the shocking things (real and fiction) that have passed before my eyes, this stays and haunts you. Might even have changed me a bit.

(If only in the possibility of cinema.)

Maybe the only film ever made which dares takes on damaged people and explore their lives without aiming for simple exploitation or entertainment. Hearing the testimony of real holocaust survivors should tell us one thing: We don't know how it would affect us.

Nor do we know how people feel after trauma. Or what their reaction to extreme circumstances may be. Or even our own if we ever were in a concentration camp or raped. We guess, but we may be wrong.

The acting here is superb. Leads Rampling and Bogart at the top of their game. Subtle and yet somehow believable in their reactions to each other.

Sadly it has been marketed now as a "come and be shocked" ghost train ride with every twist and turn now public knowledge. It really spoils it, because the audience are being manipulated into the expected and then having their expectations reversed. Without it the power is diminished.

This is a film from an era when film-makers were totally brave and fearless. Big name actors rarely took chances like this again. And you can see why.
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