Ninja Masters is yet again further proof that Americans, it seems, have great difficulty attempting to market products from overseas (no offense). Korean movies, like The Voice and The Wig both, respectively, when released in America, received incredibly violent covers, despite the general lack of blood present in both features. In the case of this particular martial arts film, to title it Ninja Masters would be like calling me an astronaut - it is false advertising at its most ridiculous.
Initially titled Coweb when released in Asia, this is an entertaining martial arts feature, and though not the greatest movie in the genre, it certainly deserves to be viewed. I might be criticized for writing this, but I wasn't a huge fan of The Protector, a movie this particular film can be contrasted with: in both titles, a brilliant martial artist goes out of their way to save those they've been tasked to protect. Although the choreography, action scenes and direction could not be faulted, I found much of the dialogue in The Protector to be rather uninteresting, and many of the individuals involved to be severely lacking characterization.
Although a similar argument regarding character depth could be made concerning Coweb, the frequency and focus on the fights make up for any lacking substance, and entertainingly keeps the audience vested. The fights do occasionally go for longer than they probably should, and during other moments, it is unfortunately obvious no contact is actually made during a physical altercation, an irritating fact furthered when some characters are kicked backwards, occasionally appearing as though they're either on wires, or jumped at their own volition.
This aside, the use of slow motion that is occasionally employed accentuates the speed and agility of the combatants, while the use of ambient sound during one scene, rather than non-diegetic resources, assists in thrusting the viewer right into the middle of the fights. Although each of the fights are very obviously filmed on sets, the film offers a range of locations, including a traditional fighting ring, a disco club, and a street tourists generally flock towards, the vivid incorporation of color adding an additional visual treat for the senses.
Story-wise, Nie (Jiang Luxia) is an exceptional Wushu trainer, who, after coincidentally bumping into an old acquaintance, is allowed the opportunity to demonstrate her skills, alongside other adept fights, in an attempt to acquire a position as the bodyguard to Ho Kwon (Cheung Siu-Fai), a well respected and revered business man.
Nie, an attractive and honorable individual, who desperately needs the money in order to restore the martial arts academy developed by her father, accepts the offer, however it doesn't take long before her skills are put to the test. When Kwon is abducted, Nie goes to extraordinary lengths to reacquire him, in the process discovering that the kidnappers are directly linked with an online fighting ring, that she will have to descend into if it means saving the man she has sworn to protect with her life.
Over the course of the film, there are a number of predictable moments, including the ending, which doesn't offer a total sense of completion, while on other occasions, annoyingly, characters are unable to see the obvious surprises coming to fruition, though some of them are equally well hidden. Potentially, the film could be accused of revealing some plots a littler too hastily, the decision to hold some moments back for a while longer perhaps been something deftly advantageous the writers ought to have considered. Adjunctively, there are occasions when further explanation might have been a requirement: an example would be when Nie finds herself up against dozens of antagonists, and pulls nunchucks out of, well, to be honest, I'm still unsure where.
Over the course of the title, Ms Luxia is very impressive, her commanding stance being equaled by the confidence she displays in her abilities. Ms Luxia brilliantly coveys emotion through facial and bodily expression, the piano soundtrack that accompanies some of the films more story-oriented moments establishing her personal journey and proficiency, alongside the internalized struggle of what humanity will remain of her once all the fighting is over.
Despite other martial arts features offering material that is potentially more outstanding, there are several moments in the film where Coweb will leave you breathlessly riveted. Though the story is limited in its capacity to hold one's attention, Ms. Luxia not only commands the screen, but is easy on the eyes as well (actually, she's gorgeous), and it's peculiar this talented young woman hasn't appeared in more films. Although Coweb won't appeal to everyone, it certainly doesn't deserve to be discarded simply because American public relations specialists have little idea how to market this product.
Initially titled Coweb when released in Asia, this is an entertaining martial arts feature, and though not the greatest movie in the genre, it certainly deserves to be viewed. I might be criticized for writing this, but I wasn't a huge fan of The Protector, a movie this particular film can be contrasted with: in both titles, a brilliant martial artist goes out of their way to save those they've been tasked to protect. Although the choreography, action scenes and direction could not be faulted, I found much of the dialogue in The Protector to be rather uninteresting, and many of the individuals involved to be severely lacking characterization.
Although a similar argument regarding character depth could be made concerning Coweb, the frequency and focus on the fights make up for any lacking substance, and entertainingly keeps the audience vested. The fights do occasionally go for longer than they probably should, and during other moments, it is unfortunately obvious no contact is actually made during a physical altercation, an irritating fact furthered when some characters are kicked backwards, occasionally appearing as though they're either on wires, or jumped at their own volition.
This aside, the use of slow motion that is occasionally employed accentuates the speed and agility of the combatants, while the use of ambient sound during one scene, rather than non-diegetic resources, assists in thrusting the viewer right into the middle of the fights. Although each of the fights are very obviously filmed on sets, the film offers a range of locations, including a traditional fighting ring, a disco club, and a street tourists generally flock towards, the vivid incorporation of color adding an additional visual treat for the senses.
Story-wise, Nie (Jiang Luxia) is an exceptional Wushu trainer, who, after coincidentally bumping into an old acquaintance, is allowed the opportunity to demonstrate her skills, alongside other adept fights, in an attempt to acquire a position as the bodyguard to Ho Kwon (Cheung Siu-Fai), a well respected and revered business man.
Nie, an attractive and honorable individual, who desperately needs the money in order to restore the martial arts academy developed by her father, accepts the offer, however it doesn't take long before her skills are put to the test. When Kwon is abducted, Nie goes to extraordinary lengths to reacquire him, in the process discovering that the kidnappers are directly linked with an online fighting ring, that she will have to descend into if it means saving the man she has sworn to protect with her life.
Over the course of the film, there are a number of predictable moments, including the ending, which doesn't offer a total sense of completion, while on other occasions, annoyingly, characters are unable to see the obvious surprises coming to fruition, though some of them are equally well hidden. Potentially, the film could be accused of revealing some plots a littler too hastily, the decision to hold some moments back for a while longer perhaps been something deftly advantageous the writers ought to have considered. Adjunctively, there are occasions when further explanation might have been a requirement: an example would be when Nie finds herself up against dozens of antagonists, and pulls nunchucks out of, well, to be honest, I'm still unsure where.
Over the course of the title, Ms Luxia is very impressive, her commanding stance being equaled by the confidence she displays in her abilities. Ms Luxia brilliantly coveys emotion through facial and bodily expression, the piano soundtrack that accompanies some of the films more story-oriented moments establishing her personal journey and proficiency, alongside the internalized struggle of what humanity will remain of her once all the fighting is over.
Despite other martial arts features offering material that is potentially more outstanding, there are several moments in the film where Coweb will leave you breathlessly riveted. Though the story is limited in its capacity to hold one's attention, Ms. Luxia not only commands the screen, but is easy on the eyes as well (actually, she's gorgeous), and it's peculiar this talented young woman hasn't appeared in more films. Although Coweb won't appeal to everyone, it certainly doesn't deserve to be discarded simply because American public relations specialists have little idea how to market this product.