Strong words, I know, but they're true; "Brotherhood" is the one most brilliant, well-written, intelligent shows you will ever see in your entire life. Sadly, it is also one of the most underrated shows you will ever see, so much so you'll spend hours pondering why. It's a show that SHOULD have been as big as "The Sopranos", as talked about and raved as much as "Breaking Bad" was, and followed as closely as "Sons of Anarchy" and other anti-hero shows were. But alas, it was not. Was it due to poor marketing? Charges of being a Sopranos rip-off? Who knows, but what I do know is the show was nowhere near being a carbon copy of "The Sopranos".
"Brotherhood" is a match up of politics and crime, centering around two Irish-American brothers in a Providence, Rhode Island neighborhood called The Hill. We have Tommy Caffee (Jason Clarke), the young, handsome state Rep. from the Hill, and his older brother, Michael (Jason Isaacs), the charming but underneath brutal gangster, who's just returned from a seven year exile after a mobster he had a beef with is murdered. Surrounding them is a mix of family, friends, and associates: Rose Caffee (Fionnula Flanagan), the strong-willed matriarch of the family who is the one who really pulls the strings behind the scenes; Eileen Caffee (Annabeth Gish), Tom's seemly devoted wife who harbors forbidden desires of her own; Mary Kate Martinson, Tom's sister who must bear with the shenanigans of her family as well as the pain of not being able to have children; Freddie Cork (Kevin Chapman), boss of the Irish Mob in Providence, who must balance his suspicion of Michael with Michael's ability to bring in a lot of money; Kath Perry (Tina Benko), Michael's old girlfriend and married mother; Declan "Decko" Griggs (Ethan Embry), a state police detective from the old neighborhood who finds that doing what is right and doing what is necessary isn't really the same thing, and a whole slew of gangsters, politicians, and characters who I don't have the space for.
As we follow the two brothers in the respective world, we begin to ask ourselves some troubling questions, such as who is more ruthless, the gangster in the street or the guy in elected office? Is there really much of a difference between the world of crime and politics or between the world of politics and crime? All of this is established through strong acting on the part of Jason Clarke and Jason Isaacs. Jason Clarke is masterful of playing Tommy Caffee, a man who seems to really want to help his district but also desires more power in the world of state politics. How much of his soul is willing to sacrifice to make that a reality and is there anyone or anything he won't sacrifice to make it happen? Then there's Jason Isaacs's portrayal of Michael, the gangster who's returned from exile who must deal with a changing neighborhood while trying to re-establish his power in the rackets. With his steel eyes and cold demeanor, Isaacs more than easily plays the gangster role to the hilt. Of course, none of this would be possible without the intelligent writing of show creator Blake Masters and his crew, who masterfully blend two seemly different worlds until we realize the awful truth; there are no differences between the two, with the final moments of the series finale showing more about the reality of politics than anything else I have ever seen. Despite its short life and somewhat rushed ending, "Brotherhood" is a must see show for those looking for good story-telling and intelligent writing. Whatever you do, don't let this gem of a show pass you by.
"Brotherhood" is a match up of politics and crime, centering around two Irish-American brothers in a Providence, Rhode Island neighborhood called The Hill. We have Tommy Caffee (Jason Clarke), the young, handsome state Rep. from the Hill, and his older brother, Michael (Jason Isaacs), the charming but underneath brutal gangster, who's just returned from a seven year exile after a mobster he had a beef with is murdered. Surrounding them is a mix of family, friends, and associates: Rose Caffee (Fionnula Flanagan), the strong-willed matriarch of the family who is the one who really pulls the strings behind the scenes; Eileen Caffee (Annabeth Gish), Tom's seemly devoted wife who harbors forbidden desires of her own; Mary Kate Martinson, Tom's sister who must bear with the shenanigans of her family as well as the pain of not being able to have children; Freddie Cork (Kevin Chapman), boss of the Irish Mob in Providence, who must balance his suspicion of Michael with Michael's ability to bring in a lot of money; Kath Perry (Tina Benko), Michael's old girlfriend and married mother; Declan "Decko" Griggs (Ethan Embry), a state police detective from the old neighborhood who finds that doing what is right and doing what is necessary isn't really the same thing, and a whole slew of gangsters, politicians, and characters who I don't have the space for.
As we follow the two brothers in the respective world, we begin to ask ourselves some troubling questions, such as who is more ruthless, the gangster in the street or the guy in elected office? Is there really much of a difference between the world of crime and politics or between the world of politics and crime? All of this is established through strong acting on the part of Jason Clarke and Jason Isaacs. Jason Clarke is masterful of playing Tommy Caffee, a man who seems to really want to help his district but also desires more power in the world of state politics. How much of his soul is willing to sacrifice to make that a reality and is there anyone or anything he won't sacrifice to make it happen? Then there's Jason Isaacs's portrayal of Michael, the gangster who's returned from exile who must deal with a changing neighborhood while trying to re-establish his power in the rackets. With his steel eyes and cold demeanor, Isaacs more than easily plays the gangster role to the hilt. Of course, none of this would be possible without the intelligent writing of show creator Blake Masters and his crew, who masterfully blend two seemly different worlds until we realize the awful truth; there are no differences between the two, with the final moments of the series finale showing more about the reality of politics than anything else I have ever seen. Despite its short life and somewhat rushed ending, "Brotherhood" is a must see show for those looking for good story-telling and intelligent writing. Whatever you do, don't let this gem of a show pass you by.