A GOOD MAN is the Steven Seagal version of the South Korean action classic THE MAN FROM NOWHERE. You know, the one about a retired special ops executive who happens to live next door to a young woman and her daughter who are at risk from thugs and local gangsters. Before you know it, Seagal's wading into the mess and kicking Russian gangster backside with aplomb.
Well, that's the idea, but this low rent, low budget film from Seagal's regular director Keoni Waxman is in every respect a lesser work. Shot on the cheap in Romania, it feels serviceable as an action film, and has a string of nicely violent fight scenes, but overall is a very average viewing experience. The fight choreography is average - and Seagal is STILL being doubled, even though he must know people hate that - but the story is messy and unfocused, with too many supporting characters who add little to the plot. Who's the real protagonist here anyway, Seagal or the father character who has a few good fight skills of his own? You won't know and, like the majority of Seagal's output these days, you won't really care either.
Well, that's the idea, but this low rent, low budget film from Seagal's regular director Keoni Waxman is in every respect a lesser work. Shot on the cheap in Romania, it feels serviceable as an action film, and has a string of nicely violent fight scenes, but overall is a very average viewing experience. The fight choreography is average - and Seagal is STILL being doubled, even though he must know people hate that - but the story is messy and unfocused, with too many supporting characters who add little to the plot. Who's the real protagonist here anyway, Seagal or the father character who has a few good fight skills of his own? You won't know and, like the majority of Seagal's output these days, you won't really care either.