This 1955, b&w, crime-drama had both its good points, as well as its not-so-good points.
Its best point, by far, was its overall look which consisted of many scenes shot in shadowy, partially-lit spaces. This welcome effect often gave the story a more menacing feel to it, beyond what was generally conveyed by the actions of the characters.
As well as The Big Combo having its fair share of impressive camera-work to its credit, it also contained plenty of unintentional humour in a story that clearly took itself way too seriously for its own good.
But, on the other hand - What almost ruined this picture for me was the hideously annoying performance of actress Jean Wallace who played the clueless, blond, gangster's moll, Susan Lowell. Believe me, this woman's portrayal really grated on my nerves, big-time.
Anyway - For the most part, The Big Combo was OK entertainment as far as 1950's crime-dramas go.
Its best point, by far, was its overall look which consisted of many scenes shot in shadowy, partially-lit spaces. This welcome effect often gave the story a more menacing feel to it, beyond what was generally conveyed by the actions of the characters.
As well as The Big Combo having its fair share of impressive camera-work to its credit, it also contained plenty of unintentional humour in a story that clearly took itself way too seriously for its own good.
But, on the other hand - What almost ruined this picture for me was the hideously annoying performance of actress Jean Wallace who played the clueless, blond, gangster's moll, Susan Lowell. Believe me, this woman's portrayal really grated on my nerves, big-time.
Anyway - For the most part, The Big Combo was OK entertainment as far as 1950's crime-dramas go.