In "socialist" times Russian films were always and everywhere, with very few Western films shown, thus, in recent decades, I have not felt any particular urge to (re)watch Russian films, especially post-Soviet ones. But we all have our weaknesses and curiosities :) plus incidents happen...
Svolochi is meant to be a historical film, about WWII in the rear area far away from actual battles (somewhere in Kazakshtan), but it has turned out that it is all pure fiction - presented not very convincingly, with the exception of Russian crime scene and obscene language perhaps (not accurately translated into English). Reactions to the boys' behaviour and language by military personnel are odd, if not more, and adult military characters are atypical to the Stalin era - they seem hesitant, weak, speaking mostly gently, and the actors performing them are not front-rank... The ending dating back to 1943 is hectic and airy-fairy, and the very ending is quite ridiculous, taking into account modern opportunities in finding former acquaintances.
The film is "saved" by two good performances - Alexander Golovin as Kot and Sergey Rychakov as Tjapa; they squeeze the best/most out of this inconsistent story and focusing on their chemistry enables to wend your way through this 1.5 hour film without wtf! attitudes. But still, Svolochi is not a film you definitely must see, particularly if you have some knowledge of Russian values and language.
Svolochi is meant to be a historical film, about WWII in the rear area far away from actual battles (somewhere in Kazakshtan), but it has turned out that it is all pure fiction - presented not very convincingly, with the exception of Russian crime scene and obscene language perhaps (not accurately translated into English). Reactions to the boys' behaviour and language by military personnel are odd, if not more, and adult military characters are atypical to the Stalin era - they seem hesitant, weak, speaking mostly gently, and the actors performing them are not front-rank... The ending dating back to 1943 is hectic and airy-fairy, and the very ending is quite ridiculous, taking into account modern opportunities in finding former acquaintances.
The film is "saved" by two good performances - Alexander Golovin as Kot and Sergey Rychakov as Tjapa; they squeeze the best/most out of this inconsistent story and focusing on their chemistry enables to wend your way through this 1.5 hour film without wtf! attitudes. But still, Svolochi is not a film you definitely must see, particularly if you have some knowledge of Russian values and language.