Lori Loughlin finds a sense of place, falls in love with handyman Dermot Mulroney and, oh yeah, saves her aunt's country hotel and Christmas while she's at it, in the second of Hallmark's annual "Northpole" series.
"Open for Christmas" grafts a standard Hallmark romantic comedy onto NORTHPOLE's elaborate magical thesis in a workmanlike fashion. However, there is little in the way of dramatic tension to make this worth watching. Ms. Loughlin inherits her aunt's hotel; it has no guests and no source of income. Even so, there is little sense of financial urgency about the outcome once Donovan Scott as Santa tells Ms.Louglin he is depending on her, despite the occasional histrionics.
The performances are fine. I won't claim that Donovan Scott has cornered the market on Santa, but he has performed the role once or twice a year for more than a decade. Pierre Jodoin's cinematography is excellent; he manages to capture that grey afternoon snowfall light that shows up around Christmas. Yet the script itself never manages to make the viewer think that the inevitable romcom happy ending is ever in doubt.
"Open for Christmas" grafts a standard Hallmark romantic comedy onto NORTHPOLE's elaborate magical thesis in a workmanlike fashion. However, there is little in the way of dramatic tension to make this worth watching. Ms. Loughlin inherits her aunt's hotel; it has no guests and no source of income. Even so, there is little sense of financial urgency about the outcome once Donovan Scott as Santa tells Ms.Louglin he is depending on her, despite the occasional histrionics.
The performances are fine. I won't claim that Donovan Scott has cornered the market on Santa, but he has performed the role once or twice a year for more than a decade. Pierre Jodoin's cinematography is excellent; he manages to capture that grey afternoon snowfall light that shows up around Christmas. Yet the script itself never manages to make the viewer think that the inevitable romcom happy ending is ever in doubt.