Lamberto Bava does it again with this Italian action movie that manages to be almost as entertaining as his cult classic, DEMONS! In many ways the film follows the same action-orientated template with hostile rednecks replacing supernatural monsters and the heroes gradually picked off one by one by the bad guys. However, the realism of the film adds to the suspenseful aspect. Beginning fairly low key, we watch as events gradually build out of hand (Bava takes time to develop the situation instead of rushing it and making it unbelievable) until the rip-roaring climax that will please action fans everywhere. Before then, the film is packed with incident and genuinely manages to stay exciting all the while. The plot is not very complex and takes influence from a number of other films. FIRST BLOOD is the obvious choice, but there are also some surprising references to THE EVIL DEAD and even a western homage!
This is a film packed with burning vehicles, gunfire and lots of heroic staples. Michael Sopkiw (MASSACRE IN DINOSAUR VALLEY) is great as the lead and gets to cross waterfalls, abseil down sheer cliffs and take part in some great stunt action. Stuntman Massimo Vanni even shows his face in a cameo as a dying cop and supplies some great death scenes. Sopkiw, who bears an uncanny resemblance to Bruce Campbell, breathes life into the character of Jake Sharp, who could easily have been unlikable and stiff. The character is solemn, introspective and rather rude to those around him, but nonetheless you find yourself rooting for Sopkiw as the film progresses.
Bava fills a few roles with familiar faces to the exploitation fan. Playing Sopkiw's main adversary is the always imposing George Eastman (ANTHROPOPHAGUS THE BEAST) as hulking, crippled redneck, Tom. Eastman actually has a developed character (the only villain that has) and does well with his performance. The action sequences are well staged and make good use of the wooded locations for the chases. They're also bolstered by a stirring synthesiser score. The movie is pretty grim and kills off loads of "good" characters, plus a lot of animals get shot etc. Yet Bava still manages to retain the entertainment despite this overwhelming nihilism and rewards the viewer with the climatic destruction of about three dozen bad guys, all gun-toting rednecks without an ounce of wit or intelligence about them. When Sopkiw's amusingly kick-ass gun comes into play, the film explodes with gruesome gore effects (sadly excised, as usual, in the UK cut) and more explosions that you can believe possible. My only complaint is with the very end of the film which makes absolutely no thematic sense to this viewer. Otherwise BLASTFIGHTER is a must for fans of cheesy Italian action.
This is a film packed with burning vehicles, gunfire and lots of heroic staples. Michael Sopkiw (MASSACRE IN DINOSAUR VALLEY) is great as the lead and gets to cross waterfalls, abseil down sheer cliffs and take part in some great stunt action. Stuntman Massimo Vanni even shows his face in a cameo as a dying cop and supplies some great death scenes. Sopkiw, who bears an uncanny resemblance to Bruce Campbell, breathes life into the character of Jake Sharp, who could easily have been unlikable and stiff. The character is solemn, introspective and rather rude to those around him, but nonetheless you find yourself rooting for Sopkiw as the film progresses.
Bava fills a few roles with familiar faces to the exploitation fan. Playing Sopkiw's main adversary is the always imposing George Eastman (ANTHROPOPHAGUS THE BEAST) as hulking, crippled redneck, Tom. Eastman actually has a developed character (the only villain that has) and does well with his performance. The action sequences are well staged and make good use of the wooded locations for the chases. They're also bolstered by a stirring synthesiser score. The movie is pretty grim and kills off loads of "good" characters, plus a lot of animals get shot etc. Yet Bava still manages to retain the entertainment despite this overwhelming nihilism and rewards the viewer with the climatic destruction of about three dozen bad guys, all gun-toting rednecks without an ounce of wit or intelligence about them. When Sopkiw's amusingly kick-ass gun comes into play, the film explodes with gruesome gore effects (sadly excised, as usual, in the UK cut) and more explosions that you can believe possible. My only complaint is with the very end of the film which makes absolutely no thematic sense to this viewer. Otherwise BLASTFIGHTER is a must for fans of cheesy Italian action.