7/10
Effective Uses of Film Techniques
29 November 2015
Warning: Spoilers
Rudolfo Anaya's novel, Bless Me, Ultima, incorporated many interpretative scene left to the minds of the readers. The film version of the book, directed by Carl Franklin, attempted to bring the scenes to life, and portray Anaya's visions of the book. Throughout his film, Franklin utilized diegetic and non-diegetic sounds, in addition to camera placements to represent certain emotions or certain character-related symbols. The cogitated uses of sound are extraordinary, and work wonders for the film, as he combines non-diegetic sounds with diegetic sounds to give a deeper meaning. All non-diegetic sounds, such as the soundtrack, are gently placed into the film, and are gradual in volume and emotion. The diegetic sounds are placed smoothly in the background to emphasize aspects, namely the symbol of the river and the land. As we follow Antonio, the main character, on his coming-of-age journey, we are delightfully overcome with the sense of adventure due to the sounds played. In addition to the sounds, Franklin uses wonderfully placed camera angles that place the viewer in with the characters, and affect us as emotionally as it does with the protagonists. Many times through the film, we are looking from over Antonio's shoulder, looking up at someone. This is significant with the coming-of-age aspect to the film, and even more so towards the end when Antonio finds himself. He becomes something more to everyone around him, and his new found strength places his shots above others.

While this film had noteworthy scenes, I was a bit surprised at it's disobedience toward the novel. I feel there were many important scenes in the book that were significant to Antonio's struggles, as well as his aging process. Things like the Golden Carp were too big to leave out it seemed, though Franklin found a way. Otherwise, the film was enjoyable.

--Jared M--
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