Richard Williams' Prologue is a decidedly emptier short film in terms of plot, as its eight minutes showcase very elaborate and detailed sketches of warfare that are uncommonly violent and brutal, especially by the standards of animation. The battle takes place between Spartan and Athenian warriors, who find new and riveting ways to pierce the exposed fleshes of their enemies all while trying to win the war despite losing everything.
You can tell how little the short is about given my dramatic plot reiteration. As a whole, while there isn't much going on with Prologue, it's a strangely immersive short film. Its largely blank canvas, only decorated with simple pencil strokes of gray, black, and red that realize the ugliness of battle, strangely helps one get sucked into the world before being spit back out when the credits roll. On top of that, the violence here is immaculately conceptualized and the overall effect is strangely satisfying, almost servicing one's questionably human, carnal desires to see violence by way of such an innocent medium. If nothing else, use it as a cautionary tale for the horror of war.
You can tell how little the short is about given my dramatic plot reiteration. As a whole, while there isn't much going on with Prologue, it's a strangely immersive short film. Its largely blank canvas, only decorated with simple pencil strokes of gray, black, and red that realize the ugliness of battle, strangely helps one get sucked into the world before being spit back out when the credits roll. On top of that, the violence here is immaculately conceptualized and the overall effect is strangely satisfying, almost servicing one's questionably human, carnal desires to see violence by way of such an innocent medium. If nothing else, use it as a cautionary tale for the horror of war.