Frankly, Terminus is smarter than those leaving the exaggerated negative reviews here. That might explain the "booooring" reactions to this very nicely turned, intelligent plot line that places character development at the center of an interesting take on how an alien intelligence is responsible for a hinted at 21st century version of Adam and Eve.
Jai Koutrae, Kendra Appleton, and Todd Lasance turn out terrific, understated performances; the script is compelling and held my interest from the opening moments. The Brian Cachia score is first rate and sustained the almost nourish mood throughout. (It's sometimes forgotten how important the music is to driving the plot line). To echo another reviewer's comment, Mark Furmie's direction is indeed, "motivated and inspired."
If you're expecting the typical dumbed-down, mind-numbing tripe that passes for sci-fi née fantasy these days (think auto-bots and Marvel comics), you'll be disappointed. But if, for example, Ex Machina and Under the Skin appealed to you, and you're looking for low-key, intelligent, well performed and directed story-telling, you'll enjoy Terminus.
Jai Koutrae, Kendra Appleton, and Todd Lasance turn out terrific, understated performances; the script is compelling and held my interest from the opening moments. The Brian Cachia score is first rate and sustained the almost nourish mood throughout. (It's sometimes forgotten how important the music is to driving the plot line). To echo another reviewer's comment, Mark Furmie's direction is indeed, "motivated and inspired."
If you're expecting the typical dumbed-down, mind-numbing tripe that passes for sci-fi née fantasy these days (think auto-bots and Marvel comics), you'll be disappointed. But if, for example, Ex Machina and Under the Skin appealed to you, and you're looking for low-key, intelligent, well performed and directed story-telling, you'll enjoy Terminus.