If you are fond on French crime novels world, you know that this film was adapted from à Jean-Patrick Manchette's novel. One of the best French novelist from the seventies and eighties. The novel which this feature is adapted from was a very nihilistic tale against the institutions, governments and state rules. And this movie made by Claude Chabrol - whose it is not the kind of movies he usually did, you know that - this film seems very close, scene for scene, to the book. If you dare comparing, this film NADA is, to the genuine novel material, exactly the same that Jean-Pierre Melville's LE DEUXIEME Soufflé was to Jose Giovanni's novel. In both cases, the movies made from the books seem so close to them. But you would be damn wrong if you thought so. Concerning Melville's film, please read my comment. But about NADA, I repeat, Manchette gave us a story which enhanced the anarchists, or left winged terrorists, he tried to give them some good reasons to behave as they did. But if you read the book and then watch the movie very closely, you will notice that Chabrol doesn't have the same language. In a sort of way, he criticizes the anarchists. He wants to show to the audiences the emptiness of everything they do. In that purpose, he uses some sentences told by the anarchists characters. Even if, I repeat, the movie seemed to have been shot, "book handed". Page by page.
The message was not the same.
And, besides, I have already seen movies adapted very differently from novels but only on the "shape" - scenes - but not on the true meaning. For instance both RIFIFI films: RIFIFI CHEZ LES HOMMES and RIFIFI CHEZ LES FEMMES.
I will finish by telling you that Michel Aumont gives in this film one of his best performances ever as the terrific, nasty, disgusting commissaire - superintendent - Goémond. Nasty and sometimes funny, when he speaks or listens to someone, very unusual for a disturbing character, some kind of Gestapo torturer. Watch very closely to his character's performance please, especially, I repeat, for the very evil character he is. You won't be deceived. Michel Aumont who is still alive and also a great stage performer. He has in this film a role very close to the one Robert Hossein had in LE PROFESSIONAL, a kind of fascist like superintendant. And the relation between two supporting characters, Maurice Garrel and the anarchist hooker, is also very unusual and touching, especially during his impotency sequence. This is also a typical post 1968 era feature, which shows the political manipulation, the most realistic and unbearable one, when high scale ministers order their "henchmen", killer cops working for the government, to kill, kill, even innocents, but not in a straight way, with proper words, in the purpose to achieve their shameful goals. Very daring for this time, in the pure Yves Boisset style. The ministers order to kill and then get rid of the scapegoats whom they ordered to execute the power low works. Very very close to reality, believe me.
The message was not the same.
And, besides, I have already seen movies adapted very differently from novels but only on the "shape" - scenes - but not on the true meaning. For instance both RIFIFI films: RIFIFI CHEZ LES HOMMES and RIFIFI CHEZ LES FEMMES.
I will finish by telling you that Michel Aumont gives in this film one of his best performances ever as the terrific, nasty, disgusting commissaire - superintendent - Goémond. Nasty and sometimes funny, when he speaks or listens to someone, very unusual for a disturbing character, some kind of Gestapo torturer. Watch very closely to his character's performance please, especially, I repeat, for the very evil character he is. You won't be deceived. Michel Aumont who is still alive and also a great stage performer. He has in this film a role very close to the one Robert Hossein had in LE PROFESSIONAL, a kind of fascist like superintendant. And the relation between two supporting characters, Maurice Garrel and the anarchist hooker, is also very unusual and touching, especially during his impotency sequence. This is also a typical post 1968 era feature, which shows the political manipulation, the most realistic and unbearable one, when high scale ministers order their "henchmen", killer cops working for the government, to kill, kill, even innocents, but not in a straight way, with proper words, in the purpose to achieve their shameful goals. Very daring for this time, in the pure Yves Boisset style. The ministers order to kill and then get rid of the scapegoats whom they ordered to execute the power low works. Very very close to reality, believe me.