Review of The Ape

The Ape (1940)
6/10
Accept no apers
8 September 2016
Warning: Spoilers
This short feature is probably best known as Boris Karloff's only foray into the realm of chap Monogram horror films so often inhabited by Bela Lugosi and George Zucco. That may be technically correct, but it was filmed after he had made a series of Mr Wong films for the same studio, which technically fell into the category of mystery.

Here, disguised by round eyeglasses and a large mustache rather than yellow-face, he gives a very different performance. And though the film was made quickly (I read that it was shot in a week) and cheaply, he puts a lot into the performance. He's a murder who is nonetheless quite a sympathetic figure, trying to film a cure that will allow his handicapped daughter-figure to walk.

The short running time doesn't help in that I wish there had been more time to build character. What exactly is that nature of Dr Adrian's relationship with Frances that he is so dedicated to her case? The film makes the point quite strongly that the townspeople hate him, but doesn't really explain why.

The central premise of extracting (possibly an ape's) spinal fluid to cure human paralysis is delightfully daft. Though I suspect it would have seemed less so in 1940, only fifteen or twenty years after the fad of men using "monkey glands" to cure a loss of virility.

The dialogue is actually quite good at some points, and the writing has a good pedigree. It's an adapted version of a successful play (which I can't evaluate, having never seen a copy) by Kurt Siodmak, a respectable novelist. The end may seem hackneyed to some, but I actually didn't quite guess that it was Adrian in a monkey suit. To me it was just the right level of telegraphed that I felt as though I should have guessed it even though I didn't. And it made much more forgivable the fact that the ape looked like a person in an ape costume.

I like that Frances was finally able to walk and give Adrian a happy death despite the murderous means he used to find the cure. Melodramatic but fitting. The theme overall touches on the fear of science (in the "some things man was not meant to know" vein) that many of these films had, but repudiates by curing polio despite the murders of the scientist.

All in all, a nice little science fiction mystery of the era that manages to be a entertaining and even a bit thoughtful despite its flaws, low budget, and rushed, brief nature.
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