The most surprising thing about this amateur effort re-telling the true story of the Washington, D.C. shootings that were perpetrated by a guy shooting out of the tail light of his adapted car is that it was directed by Polish director Ulli Lommel, the guy who brought us THE TENDERNESS OF THE WOLVES and THE BOGEY MAN all those years ago. I had no idea that he was still working (or even still alive) and reduced to making straight-to-DVD junk these days.
The ONLY - and I mean ONLY - good thing about this film is Ken Foree, one-time star of DAWN OF THE DEAD. Foree plays the main villain of the piece and around half the running time is made up of him ranting to the camera about various facets and flaws of modern society. Sadly, the script is atrocious so a lot of what he's coming out with is absolute nonsense, but Foree is still good value and the only reason I bothered watching this rubbish to the end.
Sadly, everything around him is terrible: the supporting cast of non-actors are wooden beyond belief (including the director himself in an unwise acting role) and the direction is amateur. The various kill scenes, although gory, are robbed of any suspense or shock value thanks to the poor way in which they're conceived and shot. D.C. SNIPER isn't the worst film I've ever seen, but it's certainly very close to the bottom of the scale.
The ONLY - and I mean ONLY - good thing about this film is Ken Foree, one-time star of DAWN OF THE DEAD. Foree plays the main villain of the piece and around half the running time is made up of him ranting to the camera about various facets and flaws of modern society. Sadly, the script is atrocious so a lot of what he's coming out with is absolute nonsense, but Foree is still good value and the only reason I bothered watching this rubbish to the end.
Sadly, everything around him is terrible: the supporting cast of non-actors are wooden beyond belief (including the director himself in an unwise acting role) and the direction is amateur. The various kill scenes, although gory, are robbed of any suspense or shock value thanks to the poor way in which they're conceived and shot. D.C. SNIPER isn't the worst film I've ever seen, but it's certainly very close to the bottom of the scale.