4/10
Clint had some weird taste in women.
7 December 2016
I was never a Sondra Locke fan. In fact, like many others, she will always be remembered as Clint Eastwood's long time fling. From what I gathered from a few movies I have seen her in (mainly Malpaso Productions) is that she was always this strange and odd actress that had a very off-putting demeanor and attitude. Pale, fragile and appearing like a waif in almost everything, in this mystery thriller, she is given the role she was born to play. She's a schizophrenic teenager who has been sheltered by her mother all her life. She hears voices and is always frantic about her imaginary relationships with her stuffed animals and dolls. We understand early on that this is an extremely disturbed individual. Her mother keeps a tight lid on her whereabouts, actions and her whole life which pretty much takes place on the household estate.

In comes her estranged father and fiancée played by Robert Shaw and Sally Kellerman. He tries to mend a relationship he never had while asking the mother for a divorce in the most frank, blunt and unemotional way I have ever seen in a movie.

I will not give away the climax for it's quite predictable, but in this case we want to see how it gets there. Save your time, because this is a slow paced mystery with lethargic acting, elliptic dialogue and a lead character who never seems to break out of that zombie like gaze while uttering poetic lines with that lilting voice. Sondra Locke is definitely unique, She can look beautiful, putrid, sickly, freakish and sometimes too nubile to be taken seriously. Robert Shaw gets caught between the jealousy of his fiancée and his daughter which limits his already stiff and anal performance.

Reflections of Fear takes too long to tell us what happens what we already knew all along.
6 out of 13 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed