Review of Sirens

Sirens (1994)
7/10
Pleasing to watch, for more than just the obvious reasons.
5 January 2017
It's the 1930s, and Australian artist Norman Lindsay (Sam Neill) has created a painting of a voluptuous nude woman on a cross. This is deemed blasphemous by The Church, who send one of their young ministers, Anthony Campion (Hugh Grant), and his wife Estella (Tara Fitzgerald), to Australia to try to talk him out of submitting the painting for exhibition. Anthony and Estella find Lindsay on his country estate, living a bohemian existence with his wife Rose (Pamela Rabe), their two children, and Lindsay's three gorgeous models. Sheela (supermodel Elle Macpherson) and Pru (Kate Fischer) are the more outgoing ones, and Giddy (Portia de Rossi) is the more naive, innocent one. Estella finds that their sexually liberated ways tend to rub off on her.

There's a fair bit of discussion of art, religion, and philosophy in this not uninteresting social comedy. It's all attractively shot, on picturesque Oz locations, and is atmospheric and notably erotic. Many viewers may gravitate towards "Sirens" on the strength of the nudity, and there's quite a bit to admire here. Macpherson, Fischer, de Rossi, and Fitzgerald all are tantalizing, but rest assured that there's some beefcake on display as well, as the blind, rugged Devlin (Mark Gerber) doffs his duds for the camera. Overall, the film is good, light entertainment from writer / director John Duigan, who also has a cameo as a minister. He gets very good performances out of everybody present, especially Fitzgerald and de Rossi. The story rests on Fitzgeralds' capable shoulders as she undergoes a change in character.

No, "Sirens" is not for the easily offended, but those with thicker skins should find this agreeable enough.

Lindsay was previously played by James Mason in the 1969 film "Age of Consent".

Seven out of 10.
6 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed