Elvis Presley was a hugely influential performer with one of the most distinctive singing voices of anybody. He embarked on a film career consisting of 33 films from 1956 to 1969, films that did well at the box-office but mostly panned critically (especially his later films) and while he was a highly charismatic performer he was never considered a great actor.
As far as Elvis films go, 'Spinout' belongs in neither extreme of best or worst. It's average fare that serves as a serviceable enough one-time watch, but not particularly distinguished and one for completests intent on checking out all of Elvis' films (like me). It's no 'King Creole', 'Flaming Star', 'Jailhouse Rock', 'Viva Las Vegas' and 'Loving You', but it is far better than 'Kissin' Cousins', 'Frankie & Johnny', 'Paradise Hawaiian Style' and particularly 'Harum Scarum' as well as his later efforts.
'Spinout' benefits in particular from the climactic big race, an incredibly fun scene that is the most energetic everything gets, and a generally polished supporting cast (with Shelley Fabares, Diane McBain, Dodie Marshall and Carl Betz lighting up the screen and Cecil Kellaway and Una Merkel nearly stealing the show).
It is a decent looking film, there are better-looking Elvis films but it is a long way from cheap apart from the racing footage looking artificial but the photography and sets are fine. The soundtrack is generally unimpressive (though there are far worse Elvis film soundtracks), but there are a few standouts, such as the title song, "I'll Be Back" and "All That I Am". Usually a hit and miss director, Norman Taurog gives some of his most enthusiastic directing of his numerous collaborations with Elvis.
However, there are exceptions with the supporting cast and they are Jack Mullaney and Deborah Walley, both very annoying in roles written in a way that grates on the nerves fast. Most of the soundtrack is forgettable at best, with "Beach Shack" and "Smorgasbord" being disposable songs that one can easily do without.
Regarding Elvis himself, he has certainly been far more disengaged before and since but he has also been much more enthusiastic and it was like he didn't trust the material. Not that one can blame him, because the script is more cringe-worthy than funny and flags in energy. The story has its slow spots, but also suffers from being too busy.
Overall, you can certainly do with far worse but Elvis and the cast did deserve better. 5/10 Bethany Cox
As far as Elvis films go, 'Spinout' belongs in neither extreme of best or worst. It's average fare that serves as a serviceable enough one-time watch, but not particularly distinguished and one for completests intent on checking out all of Elvis' films (like me). It's no 'King Creole', 'Flaming Star', 'Jailhouse Rock', 'Viva Las Vegas' and 'Loving You', but it is far better than 'Kissin' Cousins', 'Frankie & Johnny', 'Paradise Hawaiian Style' and particularly 'Harum Scarum' as well as his later efforts.
'Spinout' benefits in particular from the climactic big race, an incredibly fun scene that is the most energetic everything gets, and a generally polished supporting cast (with Shelley Fabares, Diane McBain, Dodie Marshall and Carl Betz lighting up the screen and Cecil Kellaway and Una Merkel nearly stealing the show).
It is a decent looking film, there are better-looking Elvis films but it is a long way from cheap apart from the racing footage looking artificial but the photography and sets are fine. The soundtrack is generally unimpressive (though there are far worse Elvis film soundtracks), but there are a few standouts, such as the title song, "I'll Be Back" and "All That I Am". Usually a hit and miss director, Norman Taurog gives some of his most enthusiastic directing of his numerous collaborations with Elvis.
However, there are exceptions with the supporting cast and they are Jack Mullaney and Deborah Walley, both very annoying in roles written in a way that grates on the nerves fast. Most of the soundtrack is forgettable at best, with "Beach Shack" and "Smorgasbord" being disposable songs that one can easily do without.
Regarding Elvis himself, he has certainly been far more disengaged before and since but he has also been much more enthusiastic and it was like he didn't trust the material. Not that one can blame him, because the script is more cringe-worthy than funny and flags in energy. The story has its slow spots, but also suffers from being too busy.
Overall, you can certainly do with far worse but Elvis and the cast did deserve better. 5/10 Bethany Cox