Zatoichi at Large (1972)
7 May 2017
After the previous installment, which was the least formulaic so far, the franchise sadly takes another turn to the generic with Kazuo Mori's Zatoichi at Large. The truth is, this would be a pretty good movie if it was one of the earliest ones, but as #23 of the series, it comes across as a bland pastiche of all too familiar tropes and elements from the other films.

Apparently, the Zatoichi films would rarely get shown again, so directors would get comfortable with re-using themes. This one begins with the same baby plot as Fight, Zatoichi, Fight (#8) but soon turns into another "town terrorized by gangsters" deal. The final boss here is played by Rentaro Mikuni (his second appearance in the series), but doesn't get to do much that others before him didn't already. An interesting thing about this film is that the first half is utterly goofy while the second is dead serious, but aside from that, this is typical Zatoichi stuff. Of course the mystery ronin appears too, but the battle between them is remarkably lazy, like the filmmakers just said: "yeah, let's get this over with already".

The visuals are a bit above average, with a recurring color scheme of black and blue (there's a very pretty scene where Zatoichi converses with a lady in front of a sparkling creek). The intro song just lists off common Zatoichi situations, as if it's making fun of the repetitiveness of several motives of the series. Speaking of that, some ideas here were downright lifted from previous outings, like Zatoichi breastfeeding a baby (from #8), Zatoichi being mistaken for a murderer (from #22), getting trapped in a ring of fire (from #21) and fighting while on fire (from #8 again). I guess the only unique thing here is that he gets tortured by villains.

Highlight of the film: a comic relief scene where an entertainer does a show with his monkey.
2 out of 2 found this helpful. Was this review helpful? Sign in to vote.
Permalink

Recently Viewed