Not much to say about this movie. The story line was weak. The acting mediocre. But the most maddening thing was the very obvious attempt to reproduce the look and feel of The Blade Runner. In that, it only partially succeeds by making it clear which shots were being replicated (har har).
Deckard's apartment is the most obvious source for the apartments of both the main character and his romantic interest: The light streaming in through blinds of vehicles flying by as an example. The scenes where elevators are moving up and down the external side of a building very much like the Tyrellcorp building elevators is another.
At one point there is a scene where the female love interest is asleep and the physicist is on the left side of the frame backlit. Very very reminiscent of the "do you trust me" scene in The Blade Runner. The apartment intercom is very very much like the scene where Deckard calls Rachel from the bar. Combine all of this with the use of Vangelis-like sounds that never quite go to the right places, and you have the makings of a film that elicits some amount of grief and a yearning for someone to do things right. This is not that film.
If you've never seen The Blade Runner, you need to see it and decide who does this better. Stories are completely different, but the attempt of look and feel is very obvious and ham fisted. If you haven't seen this movie, just go in expecting the quality of a 1990's SciFi original and you will not be disappointed.
Deckard's apartment is the most obvious source for the apartments of both the main character and his romantic interest: The light streaming in through blinds of vehicles flying by as an example. The scenes where elevators are moving up and down the external side of a building very much like the Tyrellcorp building elevators is another.
At one point there is a scene where the female love interest is asleep and the physicist is on the left side of the frame backlit. Very very reminiscent of the "do you trust me" scene in The Blade Runner. The apartment intercom is very very much like the scene where Deckard calls Rachel from the bar. Combine all of this with the use of Vangelis-like sounds that never quite go to the right places, and you have the makings of a film that elicits some amount of grief and a yearning for someone to do things right. This is not that film.
If you've never seen The Blade Runner, you need to see it and decide who does this better. Stories are completely different, but the attempt of look and feel is very obvious and ham fisted. If you haven't seen this movie, just go in expecting the quality of a 1990's SciFi original and you will not be disappointed.