A hip coming of age road movie is the first feature from gifted Mexican writer- director Alonso Ruizpalacios. Shot in academy ratio and black and white and marked by a fresh use of camera, editing, sound, and humor and a breaking the fourth wall that owes something to the Nouvelle Vague, it focuses on Tomás, a slim, pale teenage bad boy ("güero" is Mexican slang for light-skinned) whose mother can't cope with him, so sends him from Veracruz to live in Mexico City for a while with his older brother "Sombra" ("dark-skinned"). Sombra is a student at the national university, but it's disrupted by a huge strike (loosely based on the 11-month strike of 1999), and he's "on strike from the strike," sitting idly in his trashy concrete apartment, a depressed slacker trying to teach himself card tricks. They get out, with his roommate and best friend Santos and girlfriend Ana (a strike leader), on a mission to find a cult Mexican rock idol of the Sixties called Epigmenio Cruz admired by their late father and both brothers, reportedly dying of cirrhosis of the liver, to pay him homage. It's said that Cruz once "made Bob Dylan cry." Ruizpalacios has acknowledged a debt to Truffaut, Godard, Wim Wenders, Jim Jarmusch, and Fellini, but his light touch, wit, and grasp of earthy Spanish vernacular (though he studied in London and speaks perfect English too) also link Güeros with Latin American youth films like Alex dos Santos' 2006 Glue, Che Sandoval's You Think You're the Prettiest, But You Are the Sluttiestt (2009), and the work of Fernando Eimbcke and Gerardo Naranjo. This won prizes at Berlin and Tribeca and had a limited US release May 2015 (see A.O. Scott's enthusiastic and detailed description in the NYTimes). Now out on DVD from Kino Larber. Watched on a DVD provided by Rodrigo Brandão (Indie Strategy) 2 Jan. 2015.
Review of Gueros
