Joan Leslie stars with Louis Hayward, Tom Conway, Richard Basehart, and Virginia Field in "Repeat Performance" from 1947.
I actually saw what I thought was a very good TV movie version of this - "Turn Back the Clock" with Connie Selleca, David Dukes, Jere Burns, Gene Barry, and Dina Merrill.
Leslie plays a stage actress, Sheila Page who, at the very beginning of the film, on New Year's Eve, shoots her husband. Panicked, she meets up with a close friend, William, and heads for a New Year's party at her producer's (Tom Conway) apartment. She says she wishes she could do the whole year over. When she turns to her friend, he's gone, she's in last year's gown, and the New Year's Eve party is for the previous year. She's gotten her wish.
Well, we know how these things usually turn out -- but the way it turns out is interesting, to say the least.
This is a noirish film, and everyone is very good - Leslie is glammed-up and appropriately confused. Hayward is effective as an obnoxious drunk, Field an arch femme fatale, and Basehart as a good friend. I have to admit, in "Turn Black the Clock," things are a little more fleshed out, especially the Basehart and Field roles, and I actually liked that aspect better.
Nevertheless, this is a fascinating film from the '40s.
I actually saw what I thought was a very good TV movie version of this - "Turn Back the Clock" with Connie Selleca, David Dukes, Jere Burns, Gene Barry, and Dina Merrill.
Leslie plays a stage actress, Sheila Page who, at the very beginning of the film, on New Year's Eve, shoots her husband. Panicked, she meets up with a close friend, William, and heads for a New Year's party at her producer's (Tom Conway) apartment. She says she wishes she could do the whole year over. When she turns to her friend, he's gone, she's in last year's gown, and the New Year's Eve party is for the previous year. She's gotten her wish.
Well, we know how these things usually turn out -- but the way it turns out is interesting, to say the least.
This is a noirish film, and everyone is very good - Leslie is glammed-up and appropriately confused. Hayward is effective as an obnoxious drunk, Field an arch femme fatale, and Basehart as a good friend. I have to admit, in "Turn Black the Clock," things are a little more fleshed out, especially the Basehart and Field roles, and I actually liked that aspect better.
Nevertheless, this is a fascinating film from the '40s.